Word: szell
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...numerous concertos, ballets and film scores; of congestive heart failure; in Rochester, N.Y. With his elegant, rhythmically dense pieces and his open disdain for more popular, experimental styles ("I hated all that avant-garde stuff!"), his work was alternately exalted, by such fans as Leonard Bernstein and George Szell, and neglected over a seven-decade career...
...genius," maestro George Szell reportedly said about the eccentric Canadian pianist Glenn Gould. The quote describes comix artist Chris Ware as well. Author of last year's critically-acclaimed graphic novel, "Jimmy Corrigan: Smartest Kid on Earth," Ware has finally come out with issue fifteen in his comicbook series "The Acme Novelty Library." After a year and a half of waiting, rest assured that his reputation(s) remain intact...
...some he is the link between Schubert's lyricism and Brahms' grandeur. But The New Grove Dictionary dismisses his symphonies as "inflated piano music with mainly routine orchestration." Because of their melodic fecundity and power, they remain widely performed and recorded. Still, conductors from Gustav Mahler to George Szell have edited their working scores, attempting to compensate for Schumann's putative deficiencies: amateurish orchestration; opaque, overdense textures; a shaky grasp of symphonic form...
...Wagner and the opening of the Brahms 2nd, was here also reminiscent of the tense introduction to the finale of the "Symphony Fantastique." The offstage trumpets and cuckoo-like clarinet were truly awesome. The strings sounded as tight and together as they do on recordings from the legendary Szell era, but much more joyous when they got to the main theme. It comes from Mahler's "Songs of a Wayfaring Lad" (the lied seemed to be the organizing principle of the whole concert) and is simply charming. Much of the pleasure of this movement is in the anticipation...
...could certainly gain immense quality and repertoire from a music director of Haitink's skills. It's true that Seiji Ozawa hasn't been talking about retirement, but Haitink gave the orchestra glimpses of Herbert von Karaian's Berlin Philharmonic, Carlos Kleiber's Vienna Philharmonic and George Szell's Cleveland Orchestra. If they could also strengthen their sound with a few more powerful players, the BSO would catapult itself back to the stature it knew under Charles Munch--that of the foremost symphony in the nation...