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Word: szell (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...later in Boston it would introduce highly touted Russian Violinist Leonid Kogan and present the novelty of French Saxophone Virtuoso Marcel Mule. The Chicago Symphony was recruiting a brand-new 150-voice choir under famed Choral Conductor Margaret Hillis; the Cleveland Orchestra opened its 40th season with Conductor George Szell directing the first of nine commissioned works: Alvin Etler's Concerto in One Movement...

Author: /time Magazine | Title: Music: The Season | 11/4/1957 | See Source »

...eleven countries, 29 concerts in 41 days), its reception has been in tune with the critic of Paris' Le Monde, who thought that he had "never heard anything more excellent." In Barcelona audiences cheered their approval of the orchestra's classical repertory. For Budapest-born Conductor George Szell, the greatest recognition came in Vienna. where that dean of critics, grumpy old (83) Max Graf, who knew Szell as a boy, voiced one of his rare, muted raves. "The sounds," he said, "were good indeed...

Author: /time Magazine | Title: Music: Cleveland's Trumpets | 6/24/1957 | See Source »

World Music Festivals (Sun. 2:05 p.m., CBS). Part I, Salzburg Festival. Vienna Philharmonic conducted by George Szell...

Author: /time Magazine | Title: TELEVISION: Program Preview, Sep. 3, 1956 | 9/3/1956 | See Source »

...excite his listeners. More important musically was the emotional force with which he performed everything from Mozart to Bloch. Said Cleveland's noted Violinist Giorgio Ciompi: "His outstanding quality is that he puts his mind, his emotions, his bow together and gives himself completely," Said Conductor George Szell: "I consider him one of the great hopes among young violinists...

Author: /time Magazine | Title: Music: Prodigious Fiddler | 5/21/1956 | See Source »

Liebermann's music was ably written in a palatably underplayed twelve-tone technique, and contained such novelties as a jitterbug scene with boogie-woogie background. Nevertheless, first-nighters felt it was low on drama and without a decisive style of its own. Despite the efforts of Conductor George Szell and the cast, the audience clapped coolly. Success of the evening: Star Christl Goltz, who sang Penelope with the cold but brilliant voice that has made her one of the finest dramatic sopranos on the Continent. Her own feeling about Penelope differed from the majority: "We can be thankful that...

Author: /time Magazine | Title: Music: New Opera at Salzburg | 8/30/1954 | See Source »

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