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...long wanted to bring Richard Strauss's Salome back to its boards. But since its last performance five years ago, with George Szell in the pit, and Soprano Lily D janel swirling Salome's seven veils, the Met had been unable to get the right conductor-singer team together to do it again, and do it well. And with New York's upstart City Opera Company getting bravos for its lively, scaled-down production (TIME, Dec. 13), the Met knew that if it revived Salome at all, it would have to be mighty good...

Author: /time Magazine | Title: Music: Great Performance | 2/14/1949 | See Source »

Mozart: Quartet No. 1 in G Minor, K. 478 (George Szell, pianist, with members of the Budapest String Quartet; Columbia, 6 sides). This, Mozart's first try at a piano quartet, is not on a par with his second (K. 493). Szell's playing is a little on the dry side. Recording: fair...

Author: /time Magazine | Title: Music: New Records, Nov. 1, 1948 | 11/1/1948 | See Source »

First he played Beethoven's Piano Concerto No. 4 with his old friend George Szell and the Cleveland Orchestra in Carnegie Hall; then, a few days later, a piano recital-the only one he will give all year in Manhattan. Yet in the next fortnight he will play in San Francisco five times. Says he: "Agents [he has none] think I am crazy. But when I go some place, I like to stay awhile. To play, pick up the check and run is silly...

Author: /time Magazine | Title: MUSIC: For the Sake of It | 2/23/1948 | See Source »

...Town Hall, when the Guilet Quartet moved in to play a Hindemith quartet. Next night, in Carnegie Hall, the Baltimore Symphony Orchestra marched through his Symphony in E Flat; three blocks away, Ballet Society danced The Four Temperaments-music by Hindemith. Next night, in Carnegie Hall, George Szell put his Cleveland Orchestra through Hindemith's Symphonic Metamorphosis on Themes by Weber. The critics, who usually find Hindemith dry as toast, found his Metamorphosis gay and charming. In Boston, the same night, the Boston Symphony was playing his Symphonia Serena...

Author: /time Magazine | Title: Music: Hindemith's Big Week | 2/23/1948 | See Source »

Beethoven: Symphony No. 4 (the Cleveland Orchestra, George Szell conducting; Columbia, 8 sides). Robert Schumann called the Fourth "a slender Greek maiden between two Norse giants" (the Eroica and the Fifth). In his Columbia debut with the Cleveland Orchestra, Conductor Szell has sculptured her skillfully and gracefully. Performance: excellent...

Author: /time Magazine | Title: New Records, Feb. 2, 1948 | 2/2/1948 | See Source »

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