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...group, which called itself the Cleveland Little Symphony, were all members of the 92-man Cleveland Orchestra, who found themselves with time on their hands at season's end. They banded together as a profit-sharing cooperative. To lead them, they got Theodore Bloomfield, one of Conductor George Szell's bright young (24) assistants. (When he conducted a chamber orchestra in Manhattan last December, the New York Times pontificated: "Theodore Bloomfield is a find.") Verdict of Cleveland critics after last week's Mozart program: the Little Symphony was also a find...

Author: /time Magazine | Title: Music: Thirty Men | 5/19/1947 | See Source »

Mozart: Quartet in E Flat Major for piano and strings (George Szell, piano, with members of the Budapest String Quartet; Columbia, 6 sides). Although not one of his great quartets, this delightful, sparkling slice of Mozart is almost a miniature piano concerto. The Cleveland Orchestra's conductor gives a crisp but playful assist at the piano. Performance: excellent...

Author: /time Magazine | Title: Music: New Records, Apr. 28, 1947 | 4/28/1947 | See Source »

Conductor George Szell of the Cleveland Orchestra first got him interested in the A problem. What orchestras needed for tuning purposes, Pickering decided, was a pure, unvarying note with no overtones. No ordinary loudspeaker (and no musical instrument) emits pure tones: what comes out is a mixture of dominant tone and any number of overtones...

Author: /time Magazine | Title: Science: Sound Your A | 3/24/1947 | See Source »

Obviously the Philharmonic would use Walter's year shopping for a permanent conductor. Next year's guest conductors were the apparent favorites in the race: Minneapolis' Dimitri Mitropoulos, Cleveland's George Szell, Paris' Charles Munch and Hollywood Bowl's Leopold Stokowski. All but Stokowski (who once was) are clients of music's Mr. Big, Arthur Judson, the Philharmonic's manager. Judson thus had a firmer hold on the throne than before Rodzinski abdicated (TIME...

Author: /time Magazine | Title: Music: Baton Week | 2/24/1947 | See Source »

...shows. Aside from alert news and sports coverage, big, sprawling Mutual has only six or seven programs worth the time of day or night. Ed knows his weakness: "Programs will be our No. 1 objective this year." He means "programs with that commercial aroma." Ed once directed Conductor George Szell of the Cleveland Symphony Orchestra not to play over Mutual "for art's sake-play simple, melodic things for the millions...

Author: /time Magazine | Title: Radio: The Great Salesman | 2/10/1947 | See Source »

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