Word: szeryng
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...Series season runs from October through April, and concerts are either at Symphony Hall or Jordan Hall. This year will feature such orchestras as the Cleveland Symphony and the London Philharmonic, pianists Claudio Arrau, Rudolf Serkin, and Lazar Berman, vocalists Dietrich Fischer-Dieskau and Janet Baker, and violinists Henryk Szeryng and Itzhak Perlman. Tickets are about what you'd expect to pay for performers of this magnitude, falling in the $5-$9 range. But if you're going to hear a concert, you might as well hear some of the best...
...Shaw, the new man at Hurok Concerts, is regarded as a sound businessman. His abilities as a starmaker in the Hurok tradition are less well known. Despite the recent depletion of its talent roster, Hurok Concerts still handles a respectable array of artists, including Van Cliburn, Sviatoslav Richter, Henryk Szeryng, Nathan Milstein, Janet Baker, Nicolai Gedda and Artur Rubinstein. One of the joys of the new Shaw-Hurok liaison, said Shaw last week, is that now Guitarist Bream and Mezzo Baker can give joint recitals in the U.S., as they have in England. One of the things wrong with...
SCHUBERT: TRIOS, OP. 99 AND 100 (RCA, 2 LPs). Violinist Henryk Szeryng, Cellist Pierre Fournier and Pianist Artur Rubinstein put away their virtuoso ways to collaborate touchingly on two chamber music gems...
Schubert: Trios, Op. 99 in B-Flat and 100 in E-Flat (Henryk Szeryng, violin; Pierre Fournier, cello; Artur Rubinstein, piano; RCA; 2 LPs; $16.98). Corraling a collection of virtuosos to record chamber music is not always a good idea. Having spent years alone in the spotlight, too many of them lack the knack of bobbing and weaving in rhythm with other minds and hearts. Szeryng, Fournier and Rubinstein rank high among the successful exceptions to this individualistic rule. In these trios, each player retains his own particular musical fist yet manages to fit it into his neighbor...
...Szeryng brings it all off with dash and finesse, but without quite removing the suspicion that there must have seemed more to it when Paganini played it. "The work," he says, "makes me feel like I'm jetting from heaven to hell at incredible speed." It must be reported, however, that when he performed it in public recently at London's Royal Festival Hall, the devil did not appear beside...