Word: szigmond
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Dates: during 1970-1979
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...some of the shtiks misfire, Altman keeps on coming with others that don't. And aside from Gould and a stoned-out Sterling Hayden (Altman's film embarrasses us with this great screen presence's one enormous bust), the director's cast is good enough to follow him. Vilmos Szigmond's neon-tinged photography and Lou Lombardo's understated, rhythmic editing help a lot--as they did in their other Altman collaborations...
...malformed hillbilly boy by playing a wild duet between guitar and banjo pulls its meaning out of moving fingers, Drew's smiles and grimaces and the boy's seeming impassivity the growing comprehension of the onlookers faces. And when we start to go downriver. Boorman's eye guiding Vilmos Szigmond's camera picks up the release of a smooth-skimming canoe when it catches the current, the disruptive churn of a sudden patch of rapids, the collected stillness of a stoned in pond...
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