Word: tabla
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Dates: during 1960-1969
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...offers a varied but traditional program, including Mozart by Yehudi Menuhin's Festival Orchestra, Bach played on the organ by Munich's Karl Richter, Corelli and Vivaldi by I Musici di Roma, and even a night of Indian music with Sitarist Debabrata Chaudhury and Tabla Virtuoso Sitaram. The highlight of the festival will take place on Sept. 17, when the Orchestre de la Radio Suisse Italienne will present a concert of Mozart and Haydn atop 10,000-ft.-high Diablerets Glacier...
...Shankar also proved something else: that Indian music means a lot more than just the sitar and its familiar partners, the two-drum tabla and the string-drone tamboura. Indian music has its origins in Vedic hymns that date back 2,000 years. Indians have always believed that music has the power to change human destiny. Their sacred chants had to be intoned just so; a mistake could ruin everything. Thus, if Vocalist Jitendra Abhisheki seemed ner vous as he came out for a selection of Vedic chants, it was understandable. But his nasal, three-note invocation to Saraswati, goddess...
...sits improvising, in an appropriate raga, a preludial alapa on his sitar. Gradually a number of young men enter, wearing leis of orange and yellow flowers, and assume yoga positions. As bowls of incense waft their frangance, the sitar is joined off-stage by the traditional tambura drone and tabla rhythms...
...given over to a solo by Shankar and a performance of Enesco's Sonata No. 3 by Menuhin and his pianist sister Hephzibah). On the first, a violin solo, Menuhin spins out a contemplative opening cadenza, progresses to some pizzicato syncopations, then, over the pitty-pat of tabla (drums), skips and slides through a series of jaunty embellishments on the theme. On the second, he and Shankar engage in a long, rousing call-and-response pattern and a roller-coaster ensemble of rising and falling arpeggios, which leads, over steadily accelerating rhythms, to a climax of rhapsodic abandon...
...includes a haunting, folklike ballad, mostly by Paul ("Eleanor Rigby picks up the rice in the church Where a wedding has been"), and Yellow Submarine, a bright, repetitive ditty delivered by Ringo. The album has considerable variety in mood, harmony and orchestration-including Oriental overtones provided by a tabla in Love You To, and violins, violas and cellos for poor Eleanor Rigby...