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...Domremy, by Shaw's description in his preface, was one of the first of modern women, a take-charge overlord of men. But Jefford's Joan is a wide-eyed schoolgirl heroine, as coy and cute as Sabrina fair. The production also suffers from the paralyzed, tableau style of Douglas Scale's direction. In the end, Saint Joan is the least remarkable of the Old Vic's productions, but it is paradoxically the outstanding one of the lot. For Shakespeare's poetry cannot fully conceal the gaping flaws in Macbeth and Romeo and Juliet. Saint...

Author: /time Magazine | Title: The Stage: The New Old Vic | 3/2/1962 | See Source »

Pianos, Beef & Milk. Commissioned two years ago to stage The Spanish Lady, Dali dived into the project with his usual manic genius. The rising curtain revealed a ghostly painted image of Dali, mustache tips rising to eyebrows, eyes piercing the audience. As the gauze tableau faded out, the heroine came on, her two-yard-long tresses supported by a red crutch. Presently she extracted a pie-sized Dalian watch from her bosom and bestowed it on her suitor. There were other visual distractions: a colored tableau showing a large violin walking on spindly legs and stretching an arm toward...

Author: /time Magazine | Title: Music: Dali v. Scarlatti | 9/1/1961 | See Source »

Expertly supported by Conductor Vladimir Golschmann, Cliburn shaped a characteristic performance-simple, water-clear, eloquent in every detail. And it brought an ovation. As the orchestra was packing its instruments, Cliburn reappeared to play an encore-Chopin's A-flat Polonaise. Then another, Rachmaninoff's Etude Tableau. The orchestra left for the night, but the audience stayed on. Cliburn played Albéniz' Eritaña. He walked offstage and came back again, smiling and bowing. At last he stole a look at the piano, walked over to it. put a hand on it and-to another...

Author: /time Magazine | Title: Music: Cliburn & The Crowds | 8/11/1961 | See Source »

...still has to wear flimsy and uncomfortable Polaroid goggles that allow the two separate images on the screen to merge in his mind, some improvement is apparent, particularly in the definition of images. The actors still look strangely diminished, far away, unreal, like little plaster figures in a photographed tableau...

Author: /time Magazine | Title: Cinema: Also Showing | 11/28/1960 | See Source »

...tableau at Vientiane airport last week demonstrated a classic example of the U.S. quandary in dealing with neutrals (see box). U.S. Assistant Secretary of State J. Graham Parsons flew into the Laotian capital and was met by a single protocol officer and a handful of U.S. newsmen. Next day, Soviet Ambassador Aleksandr Abramov stepped from his plane to be greeted by a U.S.-trained honor guard and a line of kneeling girls in sarongs who offered him silver bowls heaped with flowers. Also amiably on hand to greet the Russian: slim Captain Kong Le, Laos' current hero, whose military...

Author: /time Magazine | Title: LAOS: The Alarmed View | 10/24/1960 | See Source »

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