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Choreography never sags, and the dancers form very nice looking tableaus in their cavorting about stage. The timing could be a little sharper, but action is much more important--at least to the public eye. The audience remains hooked because the musical and moving action never stops...

Author: By T.m. Doyle, | Title: Amazing Joseph | 12/12/1985 | See Source »

David Wingrove adeptly integrates the comic play within the Bliss family with the comic play on the stage; but then again, Hayfever is a play that could almost direct itself. There were only a few times when the actors made unnatural motions while falling into theatrical tableaus...

Author: By T.m. Doyle, | Title: No Sneezes | 5/10/1985 | See Source »

...because of that flow in More's portrayal--a missing synthesis of all More's characteristics and abilities--the play does not soar as it could. The costumes are gorgeous, the set is appropriately simple, the lighting creates interesting shadows and tableaus. And most of the acting in there too. But the total product misses that one desirable quality which would enliven the entire performance...

Author: By Rebeera J. Joseph, | Title: More Is Less | 4/22/1982 | See Source »

...example: in "the 'Intelligentsia' in American Society," Bell lists three "tableaus" used to define the role of the intellectual--as a guardian of learning, as expert, and as a critic or ideologue. If another category, the intellectual as activist, fits his model, Bell makes no attempt to make it readily apparent. Bell's "intellectuals" are the professors and the men of letters, the men who can conveniently transcend the fray. There is no room for a Michael Harrington, a Herbert Marcuse, or a C. Wright Mills in Bell's scheme. Indeed, much of The Winding Passage attempts to discredit these...

Author: By Laurence S. Grafstein, | Title: Who's Ruptured the Comity? | 10/28/1980 | See Source »

THROUGHOUT the opening of The Chant of Jimmie Blacksmith director Fred Schepisi continually dissects static tableaus. The camera suddenly cuts from the scene at hand to a minute corner of the picture: In the lapse of conversation suddenly one is looking at a swarm of termites on a windowsill. A domestic portrait gives way to an extreme closeup of a rusty knife cutting through bread--the sound suddenly amplified and grating. Idyllic farm panoramas are interrupted with scenes of chicken roosters being slaughtered, huge shears go through sheep's wool, the camera slowly absents itself from a sermon and creeps...

Author: By Thomas Hines, | Title: A Gradual Terror | 10/16/1980 | See Source »

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