Word: tabloidism
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...ACME NOVELTY LIBRARY By Chris Ware This tabloid-sized hardcover collects Ware's one-page "gag" strips, with 36 pages of previously un-collected material. (Sept) See TIME.comix review of Chris Ware's QUIMBY THE MOUSE
...write. Earlier last month the Spectator's editor, the tousle-haired, rumpled and voluble Boris Johnson - who is also a Member of Parliament, one of the Conservative Party's few truly popular figures, and a married father of four - was revealed to be conducting what Royce, writing in the tabloid Daily Mail, called "rumpy-pumpy at the Sextator" with his "Singular Life" columnist Petronella Wyatt. Johnson's private life is his own business, but Tory leader Michael Howard fired him as shadow arts minister on the deliciously Clintonian grounds that he hadn't told the whole truth about it when...
...March, French aviation firm Dassault bought an 82% share in conservative Le Figaro. Last week Libération, the feisty left-leaning tabloid daily, was getting the eye from Edouard de Rothschild, scion of the banking family. The real acid test will come, however, with Le Monde, which is seeking €50 million in new investment and is in talks with defense and media conglomerate Lagardère, as well as Madrid's daily El País. If it gets the new funds, Le Monde will have to pay for layoff packages for about 90 employees, work down...
...during their theatrical releases. Although not exactly B-movies—VES and English Professor J.D. Connor ’92 describes them as “A-minus movies”—they were frequently dismissed in their own time as being excessively provocative and tabloid. In retrospect, however, it is clear that it was exactly this aspect of Fuller’s style that served as a strong influence for contemporary filmmakers like Martin Scorcese and Quentin Tarantino and for the French New Wave, for whom he was a hero of Hitchcock’s stature...
...spite of their often sensationalist violence and drama, Fuller’s films are steeped in historical context and critique. In fact, it was this tabloid quality to his films that empowered and qualified his criticism. “He was a filmmaker who displayed the conflict in classical American liberalism in the starkest possible form,” says Connor, referring to the harsh journalistic style of Fuller’s classic 1953 film noir Pickup on South Street...