Word: tabloidizing
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Dates: during 1920-1929
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...tabloid newspaper, a new color scheme, appeared in the hands of Detroit newsboys last fortnight. It was called the Detroit Daily Illustrated (7 p. m. to 9 a. m. edition). The color scheme: white, then green, then pink. Its proprietor is Bernarr Macfadden, publisher of two other gum-chewers' sheetlets, New York's Graphic, Philadelphia's Daily News. This is the second new Macfadden publication venture within the last month. His other one: New York Investment News (TIME. April...
...readers of that gum-chewers' sheetlet, the New York Graphic, are gum-chewers. Some of them snuggle the pink-faced tabloid into Park Avenue homes, there to read it in polite seclusion. They have reason: the Graphic's gossip-purveying, scandal-scooping, staccato-styled Monday column, "Your Broadway and Mine...
...Possibly tabloid emphasis on sex and scandal has made conservatives timid of love and romance. More likely, however, appeared the theory that city editors neglected the story simply because they were late in discovering it. Had they got the story on the day of the Texas wedding it would have front-paged every paper. But it is not in their occurrence but in their telling that events age, To a man unconscious since Nov. 10, 1918, news of the armistice would be great news. To a public unconscious of the Graustein wedding this latest and best of Cinderella stories remains...
...guessed right only four times more than he guessed wrong, expressed no opinion twelve times, scored .453. Just above him was large Percy Hammond of the Herald Tribune, purveyor of false pomp and true drollery, who scored .616. Walter Winchell, Broadway slangman and gossiper, until last week of the tabloid Graphic (see p. 18) scored .790. He was just below dignified, grammatical J. Brooks Atkinson of the Times (.798) who, in turn, ran second to the winner, baldish, bespectacled Robert Littell of the Evening Post (.809).* Prognosticating a play's financial luck has but little to do with that...
Whether the Brazilian editors knew it or not, Miss Brazil was but one of many Manhattan arrivals from far lands for the Galveston contest. Her presence, like theirs, received nothing more than routine mention, even in the tabloid press where stories and pictures of female pulchritude are so standardized that it is scarcely necessary to change the names from day to day. Characteristic was an item in Variety, theatre weekly, which published an article on the hotel accommodations and diet of the Galveston contestants, entitled FOREIGN BEAUTS CRAVE HOT MEAT...