Word: tagging
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Dates: during 2000-2009
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...accessibility does carry a higher price tag. Leone acknowledges that Boundless Playgrounds do cost a community more. The organization raised more than $2.5 million last year to help defray the additional expenses in several municipalities. Rockwell and Kaboom! are exploring how royalties from the Imagination Playground in a Box - the portable wonderlands cost approximately $6,500 a pop - can fund an endowment to cover one rather significant, ongoing cost: a paid Play Associate, i.e., a trained adult who can help direct play while ensuring that those loose parts don't go missing. "It's a model we've borrowed from...
...minute flight home for Christmas, it sounded utterly delicious. “Excuse me, sir,” said the flight attendant. “Would you like some lunch today?” For a moment, I was disoriented—there was no five dollar price tag attached to the offer, only an enticing lunch box on her outstretched arm. And I had been addressed politely, an antiquated notion of civility other airlines had led me to give up on. Further surprising me, the attendant returned after lunch for a second time with a beverage cart...
...schemes after the fall of communism; when the schemes collapsed in 1997, investor outrage toppled the government. Still, Madoff's $50 billion scam would be the biggest ever--except to those who say the risky trading in mortgage-backed securities was a Ponzi scheme of its own. The price tag for that crisis is already in the hundreds of billions...
...World War I, and more than 10 times the cost of 1991's Persian Gulf War (90% of which was paid for by U.S. allies). The war on terrorism looks set to surpass the costs the Korean and Vietnam wars combined, topped only by World War II's price tag of $3.5 trillion...
...Laura Bickford, who produced Che with Del Toro, says that the first part (shot in the 2.35:1 scope ratio) is "more of an action film with big battle scenes," and the second part (shot in standard 1.85:1 wide-screen) is "more of a thriller." Actually, neither tag truly applies. Though Part 1 begins by hopscotching from 1955, when Castro and Guevara meet, to later scenes in Havana and New York, the film is far less interested in explaining Guevara's political importance than in showing how he operated in the two big campaigns; its mantra is process...