Word: tahiti
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Dates: during 1980-1989
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...firm, which provides equipment to protect mainframes against interlopers, challenged U.S. computer hackers to crack its code during a weeklong contest. In messages sent to electronic bulletin boards frequently used by hackers, LeeMah promised that any successful code breaker would win a trip for two to St. Moritz or Tahiti. More than 7,000 phone calls came into LeeMah from dozens of hackers trying to beat the system, but none were able to retrieve the hidden message in the computer. The odds against them, estimated LeeMah: 720 quadrillion...
...player in Henri Rousseau's The Happy Quartet, 1902, whose music is joined by the howling of a giant white poodle, is a reprise of innumerable earlier pastorals. Gauguin was partly a reprise of Watteau, each in his own way imagining fugitive pleasure on a distant island, Cythera equaling Tahiti...
...submarine to surprise Jackie Kennedy and little Caroline yachting in the Mediterranean. Leggett admits with a wink, "Neither plan made it past the second glass of ale." Balfour once sent a reporter to find paradise. The intrepid investigator rang up $10,000 on his expense account by visiting Tahiti, Hawaii, Uganda and Scandinavia. Finally, he found a remote island. Unfortunately, the paradise prohibited tourists, and the story was killed. "Once we had so many Brits on the road that three reporters, all sent by different editors, were bunked at the same first-class hotel in Hong Kong," recalls Burt...
...martyr, magus, savage and artist-criminal lay at its root. For many, the hero of Somerset Maugham's The Moon and Sixpence is still the "real" Gauguin -- a stockbroker and Sunday painter who cracks out of the bourgeois egg, dumps his wife, family and career and hightails it to Tahiti to "find himself" among the breasts and breadfruit. He is part brute and part escape artist, the Houdini of the avant-garde...
...Gauguin was that discomfiting figure, a great artist with little modesty who made good on strident prophetic claims. He saw himself as both Christ and savage, sacrificial lamb and initiator of cultural mayhem. The whole tangle of the "primitive," so basic to early modernism, begins with Gauguin -- not in Tahiti but in Brittany, "savage and primitive," he wrote, where "the flat sound of my wooden clogs on the cobblestones, deep, hollow and powerful, is the note I seek in my painting...