Word: tahiti
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Medea in Milan. Harvard-bred (A.B., '39) Leonard Bernstein first flashed into musical prominence as a composer (Fancy Free, Trouble in Tahiti, On the Town), and is regarded as one of the most talented of U.S. conductors. Two years ago, with five days' preparation, he directed Milan's La Scala orchestra in the seldom-staged Medea of Cherubini, starring Maria Callas. To composing and conducting, he added teaching at Tanglewood and Brandeis University, spends his spare moments with his wife, Actress Felicia Montealegre, and three-year-old daughter. He worries that he may be scattering his talent...
Gauguin, selling his paintings to pay the passage, turned his proud-beaked head toward Tahiti and the unknown future. Toulouse-Lautrec, grown famous for his paintings peopled with characters from Parisian cafés and brothels, remained a staunch defender of Van Gogh until his own death eleven years later...
...Wolfe's campaign up the St. Lawrence against Quebec. Cook was 40 when he was chosen to skipper the Endeavour. By London's top scientists, the Fellows of the Royal Society and the Admiralty, he was handed a twofold mission: 1) he was to sail to Tahiti and observe the transit of Venus "over the disk of the sun"; 2) he was to search out "Terra Australis Incognita," a vast body of land presumed to extend westward from the tip of South America because it was theoretically necessary to counteract the weight of the Northern Hemisphere...
After the icy blasts and terrors of Tierra del Fuego and Cape Horn, sundrenched Tahiti, lazing in the trade winds, seemed a double paradise. The island girls proved eager for the transports, if not the transits, of Venus. To Cook's 18th century mind, it was a matter of their being noble savages "who have not even the idea of indecency" but did have early know-how: "In other countries the girls and unmarried women are supposed to be wholly ignorant of what others upon occasions may appear to know . . . but here it is just contrary. Among other diversions...
Composer Bernstein's Trouble in Tahiti (TIME, June 23, 1952) twangs the rather snarled relations of a bored suburban couple. In its breakfast-table and business-day vignettes, it takes on some of the flatness of its subject matter. But its mockingbird passages-as when a trio hymns the joys of Scarsdale or Shaker Heights-are brighter, and it gets very bright and funny when Singer Alice Ghostley, while meaning to sneer at the movie she's seen, rhapsodically pants over...