Word: take
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Dates: during 1930-1939
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More rigorous than in Great Britain itself, Canadian censorship was comparable only to the strict wartime supervision of the press in France. Under its sweeping regulations the Minister of National Defense had power to take over all communications. Forbidden was any "adverse or unfavorable statement . . . likely to prejudice the defense of Canada" or prosecution of the war. Even weather reports were no longer published...
...first oboe player, he is also Philadelphia's most spectacular gourmand. "For two weeks I am on a milk diet!" he exploded. "Do you know what that is like? The hunger, it does not leave me. Whatever I do, wherever I go, it is like something I cannot take off. To me the cooking and eating are arts as great as music-maybe greater. One more week I shall go on. Then I will live again...
...biggest smash hits of the last ten years. Kaufman's unequaled record: at least one show on Broadway every year since 1921. Fifteen of those shows Burns Mantle has included in various annual volumes of the Best Plays. One of them (You Can't Take It With You) had the fifth longest run (837 performances) in the history of Broadway; 14 others ran close to 200 performances or better. Two won the Pulitzer Prize. Twenty were sold to the movies for a total of over $1,500,000. Further, Kaufman ranks as one of the best directors...
...eleven lost money, five others would have, except for movie sales. But a record which includes Dulcy, Merton of the Movies, Beggar on Horseback, The Butter and Egg Man, The Royal Family, June Moon, Once in a Lifetime, Of Thee I Sing, Dinner at Eight, You Can't Take It With You and The Man Who Came to Dinner implies as great a knowledge of what the public will laugh at as of how to keep it laughing. Kaufman beat all his rivals at comedy and satire because what really concerned him was never the nature of the target...
...alone. Every collaboration is an evenly shared two-man job, with long preliminary stretches for working out every detail of plot, until suddenly "a bell rings" and the collaborators start their "star-chamber sessions" of writing. Every line of dialogue is written together. From start to finish, a play takes anything from five weeks (You Can't Take It With You) to seven months (The Royal Family), depending on the trouble it causes and the make-up of Kaufman's collaborator. Kaufman & Hart usually work much faster than Kaufman & Ferber...