Search Details

Word: take (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...these days, Japan's out-of-power Socialists spend as much time and energy fighting one another as they do fighting the opposition. Right-wing Japanese Socialists dream of a "responsible" Socialist Party along the lines of the British Labor Party; left-wingers prefer brawls to ballots, and take their cues from the Communist-lining leaders of Japan's biggest labor federation, the 3,500,000-man Sohyo...

Author: /time Magazine | Title: JAPAN: Sundered Socialists | 11/2/1959 | See Source »

...Take Me Along (music and lyrics by Bob Merrill; book by Joseph Stein & Robert Russell) sets to music Eugene O'Neill's only pleasant, nostalgic play of family life, and keeps it pleasantly nostalgic. In Ah, Wilderness! O'Neill traded tragedy for Tarkington, Freud for the Fourth of July, tom-toms for small-town brass bands. Take Me Along keeps much the same small-town look, 1910 flavor, horse-and-buggy pace. Its drinking is confined to a likable bachelor and a would-be sex-bad boy; its passion consists of the same boy's book...

Author: /time Magazine | Title: The Theater: New Musical on Broadway, Nov. 2, 1959 | 11/2/1959 | See Source »

Jackie Gleason is the one overt performer in Take Me Along, but he displays more of a vaudeville than a video air as he and Walter Pidgeon do a delightful soft-shoe dance, or as he says: "There are 14 saloons in this town, and I've never set foot in one of them-the one on 4th Street." But Actor Pidgeon, with his plaintive middle-aged joke in Staying Young, and Robert Morse, with his just-right teen-age theatrics in I Would Die, and Eileen Herlie, hilariously spinsterish about the facts of life in I Get Embarrassed...

Author: /time Magazine | Title: The Theater: New Musical on Broadway, Nov. 2, 1959 | 11/2/1959 | See Source »

...Take Me Along could do with more dancing, but a gay Aubrey Beardsley ballet, a sort of absinthe-coated peppermint stick, wickedly whirls all Actor Morse's callow, adolescent sex fantasies-Salome and George Sand, Lysistrata and Camille -into one. As the show proceeds, certain scenes are repeated, certain songs are reprised. But from the outset, Take Me Along puts its trust in mood rather than momentum. Rather than shattering the funny bone, ravishing the ear or dazzling the eye, it just leaves a nice taste in the mouth...

Author: /time Magazine | Title: The Theater: New Musical on Broadway, Nov. 2, 1959 | 11/2/1959 | See Source »

...British officer's short jacket and moodily marching about with his poodles (names: Hedda and Louella) and his vast television dreams. Occasionally, his reverie may be shattered by a cry from his third wife,* blonde Musicomedienne Vivienne (Pal Joey) Segal: "For heaven's sake, Hub, take off that damn helmet...

Author: /time Magazine | Title: Show Business: Hubble Bubble | 11/2/1959 | See Source »

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