Word: take
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Dates: during 1950-1959
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...practice run at Aspen, Colo., young (23) Buddy Werner, the U.S.'s best skier, crossed his skis, breaking his leg and the hearts of U.S. ski enthusiasts, who had counted on him to snap Europe's long dominance of the sport, take the U.S.'s first-ever gold medal in the men's events at the 1960 Winter Olympics, scheduled for Squaw Valley, Calif, this February...
...Charles Dana has reached the age when rich Americans take up the art of giving away money. But not for him the faceless foundation, or the fund raiser with a checklist of millionaires. Dana picks his own targets, pounces on them with tough-minded charity. For the past three years, he has personally "traipsed myself up and down the South," scouting the needs and virtues of a dozen small, obscure colleges. So far, he has seeded seven campuses with more than...
Able, hard-working James Herbert Case Jr., Wall Streeter turned educator, left the presidency of Washington and Jefferson College nine years ago to take over a lively problem school: tiny (295 students) Bard College in Annandale-on-Hudson, N.Y. Bard was broke; a onetime experimental affiliate of Columbia University, it was left with more teachers than it could adequately pay. Case moved in with a sure hand. His 47 teachers have seen their paychecks increase an average of 60%. A full professor who used to get $6,000 yearly can now expect...
Poet & Piano Mover. Her luminous eyes-so bright that Hollywood cameramen never liked to shoot her too close-and her fine, mobile mouth are often overshadowed by a carefully careless costume: thick, shapeless sweaters, flat shoes, coarse hair uncombed, and the rugged tongue of someone who takes refuge in being thought a "kook." She loves to demonstrate eccentricity. One night she was sitting with a group of friends who were kidding her about her carelessness with money. Promptly Annie pulled a $20 bill from her purse and started eating it, nibbling the edges like a rabbit tackling lettuce. "I just...
...That haunting effect begins with the eerie, keening scream of the infant Helen Keller's mother (Patricia Neal) when she discovers that her child is deaf and blind. It is warmed by the first sound of the soft, self-assured brogue of Annie Sullivan arriving from Boston to take charge of Helen. It is nourished by the overwhelming urgency of Annie's every action, her passionate need to dispense with the amenities-and with the Keller family's sentimental softness-in order to get down to the awful business of unlocking a darkened human mind and heart...