Word: takeing
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Dates: during 1950-1959
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...inevitable outcome of this dependent relationship is a growing antagonism toward the U.S. Foreign Minister Victor Andrade, onetime Ambassador to Washington and Manhattan teacher, complains that U.S. aid is niggling and adds: "I think the whole trouble is the U.S. was forced to take a leading role in the world before it was really ready. Your people need some preventive education before going abroad...
...moment that the first clubs admitted women to their courts. When Boston's Union Boat Club organized the first-ever women's state tournament, the winner was Mrs. William F. Howe Jr. The wife of a prosperous Boston stockbroker and Yale athlete, Margaret Howe proceeded to take the national championship in 1929, 1932 and 1934, after mothering twin daughters named Betty and Peggy. As soon as Betty and Peggy got their growth and found time to give squash their full attention, they took over. For nearly every year since 1950, one or the other has been U.S. champion...
...young man used to ride the New York subways with a pencil in his pocket and a chip on his shoulder. Sometimes, when he saw the placards for a cosmetic lotion urging straphangers to preserve the soft white beauty of their hands, he would take out his pencil and scrawl derisive comments: "How about Negro hands?" or "What if you're Chinese?" Car cards urging brotherhood and tolerance got the inscription: "There is bigotry in America." The girl who often rode with him would remonstrate, but the young man scarcely heard her. Even then, she recalls, "there...
...Jimmy Dean, Rod Steiger, he's loaded with it." The quality lends a demon drive to Belafonte's career and immense conviction to his work. The minute he steps on the stage, he says, he tries by his manner to let his audience know: "I'll take no liberties with you and I hope you'll take none with...
...voice. It is not trained (he does not read music), and Belafonte subjects it to growls, yelps and shouts that appall the opera stars who come to hear him. The voice can become gutty as a trumpet, musky with melancholy, or high and tremulous as a flute. It may take on the high, clipped inflection of the West Indies, the open-throated drawl of the bayou country, the softly rounded burr of the Scotch borderland...