Word: takeing
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Dates: during 1950-1959
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...According to Hollywood scuttlebutt, Gary Grant has turned the tables on Universal-International. Instead of taking a percentage from the studio for his current film, Operation Petticoat, Grant is said to have persuaded the studio to take a percentage from him (10% of the gross) while he produces the picture...
...reasons wanted it paid to him at the rate of only $50,000 a year. The picture has already made so much money (between $20 and $30 million) that Holden's share now stands at between $2,000,000 and $3,000,000. Not only will it take 40-year-old Holden at least 40 years to get the last of his money, but Columbia can in the meantime invest it and make well over $50,000 a year, thus in effect having got Holden's services in Kwai for nothing...
...publicity was worth the price. Purred Actress Faye Emerson: "Whenever I open in anything, the very next day a woman calls from Variety and says. 'Did you see our nice review? Oh, by the way, we have a special edition coming up. Wouldn't you like to take an ad?' Usually I can think of ways I'd much rather spend my money. As a matter of fact, I don't read Variety. I'm not all that interested in all the economic stuff they run. It's a kind of a weekly...
Four-hand piano playing, as it is practiced by most amateurs, is a little like a doubles match with everyone serving at the same time. But when two good professional pianists take time to master the exacting technique of playing together at the same keyboard, the result is often music-making of high order. Last week Manhattan audiences had a chance to hear the best four-hand team since the late, famed Josef Lhevinne played with his wife Rosina. Occasion: a concert at Carnegie Hall by young Viennese Pianists Joerg Demus and Paul Badura-Skoda...
...sound they produced was clean, relaxed, admirably unblurred. The music for the most part was richly ornamented, to take full advantage of the presence of 20 fingers on 88 keys. Demus and Badura-Skoda executed filigreed turns of Mozart, trickily syncopated rhythms of Hindemith, florid, zestful melodies of Schubert with a fine fluency and flair. Each throttled his individual sound, avoiding the pounding effect that often afflicts duo pianists playing on separate instruments...