Word: takingã
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...birds like hawks and robins emit (“kreeeeeet-kreet-kreet” versus "chip-chip"), which help her locate the hawks. However, her main project has been to follow two red-tailed hawks and their parents on First Church, Memorial Church, and Memorial Hall, writing and taking??pictures of the creatures as they feed, preen, and fly. “I’m coming to realize that we’ve had red-tailed hawks living at Harvard for years now. I think they live on the north edge of the Yard, whereas my office...
...university: for along with the sciences and the humanities, the arts—as they are both experienced and practiced—are irreplaceable instruments of knowledge...” To this end, the Harvard Arts Initiative is presenting the event “Art-making=Risk-taking?? this Thursday in the Ticknor Lounge at Boylston Hall from 3 to 5 p.m. This event is the culmination of a months-long attempt to maximize the presence of the arts in Harvard classrooms...
...sometimes seem like too abstract of a concept in the often quantitative academic environment of Harvard. In reality, however, the creation of art is simply another form of understanding and thinking. “Art-making=Risk-taking?? celebrates a new direction in the pursuit of knowledge at Harvard...
...Furthermore, Wong’s suggestion that Harvard’s theater is confined to “precedent” and lacks “risk-taking?? is absurd. The upcoming season alone displays an incredibly creative range of productions—with many diverse casting opportunities—from an original multimedia, movement-based production about love and atomic physics to a new interpretation of an ancient Greek feminist comedy. And, while I disagree with Wong’s idealization of gender-blind and race-blind casting as a kind of theatrical cure...
...Bourg, and Kelly Reilly is the perfect bitch as the manipulative Caroline Bingley. The one outstanding flaw of the film (other than Jena Malone’s hideous performance) are the stormy long shots of Knightley perched in contemplation on top of a moor. These “breath-taking?? sequences are gratuitous and too Bronte-esque; it’s not to say that a wet and pouty Knightley against a stunning British countryside isn’t visually appealing, but Wright is far more successful at extending the narrative when he restrains himself to the intimacy...