Word: taking
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Dates: during 1970-1979
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...churches to do so, the Vatican in 1977 issued a decree stating that the policy on women is an act "in fidelity to the example of the Lord." That means in effect that if Jesus had wanted women priests he would have chosen a female apostle. (Some Protestants who take the Bible literally and oppose the ordination of women cite the dictum in the First Epistle of Paul to Timothy that women should not have "authority" over men in the church.) The ban on women appears for Roman Catholicism to be mainly a question of custom and discipline rather than...
...never invent anything any more. Everything I do is to meet a law." In the early '60s it cost $1 million and took up to five years to bring a drug through the Federal Drug Administration's regulatory maze. It now costs $18 million and can take ten years. As a result, the number of new drugs introduced by U.S. pharmaceutical firms has fallen off 50%. Writes British Essayist Henry Fairlie: "The once rambunctious American spirit of innovation and adventurousness is today being paralyzed by the desire to build a risk-free society...
Businessmen must share the opprobrium for stifling innovation. Says Donald Frey, chairman of Bell & Howell: "The biggest problem in the U.S. is not the lack of inventive capacity but the lack of businessmen willing to take the risk investments." The bottom-line obsession of many managers results in quick payoff investments to retool old products rather than expensive long-term spending to develop new ones. Though Texas Instruments this year will spend $155 million on research, Vice President George Heilmeier admits: "We have become conservative and spend less on basic research...
...small enough to pass through the eye of a needle yet able to store 64,000 bits of information. Bell & Howell's Frey maintains it is a myth that only small firms can be innovative, adding that only large corporations have the capital and the distribution network to take new products from lab to market...
...scene from the point of view of a character's ankles, or punctuate a film with shots of telephones? What is more, Fassbinder's idiosyncrasies are more skillfully performed with each film. The opening of The Marriage of Maria Braun is a particular gem: as our eyes take in an Adolf Hitler wall poster, the image explodes to reveal a full-dress wedding in the midst of a bombing attack. From this incongruous tableau, the director moves on to ever higher lunacy. Audiences never know when he will cut away from a tense dramatic exchange to a closeup...