Word: talentedly
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Dates: during 1960-1969
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...Class of 1968, has shown that it, like so many Harvard classes before it, is a gifted class. We have attacked our extra-curricular escapes with the same success. But to say that our talent indicates our state of mind is to ignore the truth. We have been a disheartening state of human affairs, confronting, especially in the last year...
...again for organizing his own secret police and once again trying to install his totalitarian constitution. Though as glib and charismatic as ever, Arias claims that times have changed and he has changed with them. As a start, Arias has organized a strong, five-party coalition, recruited some able talent for his government, and drafted the rudiments of a program calling for tighter tax collections, a much-needed plan for urban renewal and continued negotiations for a new Panama Canal treaty...
...titles, compiled a record of 321 victories against 142 losses and 31 ties. A master strategist, he perfected the T-formation, initiated the man-in-motion and the use of spread ends, was the first coach to employ movies for spotting mistakes and plotting plays. A superb judge of talent, he gave the game some of its brightest stars: Red Grange, Bronko Nagurski, Sid Luckman, Gale Sayers. A tightfisted businessman, he was known to wrestle fans for the ball after extra-point kicks, and a player once complained that Halas provided only two bars of shower soap...
...York City Ballet offered some of the most spectacular dancing-and it was strictly homegrown. During its spring season at the New York State Theater of Lincoln Center, it displayed a repertory of 41 dances, a chiaroscuro of choreographic talent unmatched by any company in the world. A good three-quarters of the works were created by George Balanchine, 64, who uncharacteristically looked into his past by re-creating his first big Broadway hit, Slaughter on Tenth Avenue, from the 1936 production On Your Toes...
Another novelty of the City Ballet season was the premiere of Stravinsky: Symphony in C by John Clifford, 20, one of the company's most promising male dancers. While Clifford still has much to learn about the techniques of polishing choreography, the hot wire of raw talent ran through the ballet. His infectious and sportive movements reflected the febrile delirium of young dancers in love with being young, in love with being dancers...