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...TALENT THAT YOU NEED?...

Author: By Adrian J. Smith, CRIMSON STAFF WRITER | Title: Supersymmetry and Parallel Dimensions | 1/6/2006 | See Source »

Here's how I know John will make a great editor-in-chief. He is unsurpassed anywhere as a judge of talent. He is passionate about storytelling and making our product utterly compelling. He has an amazing ability to execute--to make his dreams and ideas actually happen. And like Norm, he can see earlier than most people where the world is heading. That gift will help him find ever more ways to deliver our editorial product, not just in magazines but also through a multiplying array of digital media...

Author: /time Magazine | Title: Hail to the Chiefs | 1/1/2006 | See Source »

...trio figured if they outsourced--a no-brainer given India's inexpensive software talent and Sethuraman's contacts--development would cost $150,000. Or so they thought. The first Indian company they worked with didn't measure up. India is more focused on business applications than shrink-wrapped software, so they realized they had to run the project themselves. But to do it in Greensboro meant raising $3.2 million. Their business plan was sound, but it was 2001, just after the dotcom bust, and investors weren't buying. Again they looked to India for a solution, but this time resolved...

Author: /time Magazine | Title: Making Musical History | 1/1/2006 | See Source »

...Night of the Singing Dead. Truth is, the old shows were better, including some that had short runs or none at all. Fortunately, there's a crusading archival interest (fomented by the City Centers Encores! series) to put on concert versions of neglected antiques, and a wealth of performing talent to give them life. This year I saw two terrific concert productions: one modest, one large, both grand. The 1968 Darling of the Day had a lovely score, but this adaptation of Arnold Bennett's novel Buried Alive practically was: it closed after just 31 performances. The Musicals in Mufti...

Author: /time Magazine | Title: Best of 2005: Theater | 12/26/2005 | See Source »

...Vallotton wrote that it "ought not to be missed; it's the alpha and omega of painting," though he couldn't resist adding the words "childlike naiveté," which would so often be used to undervalue the artist. Rousseau was never in any doubt about his own talent. Tate Modern curator Frances Morris admires the self-taught painter for sticking to his vision. "Until he was far on, he received very little encouragement," she says. Even when Rousseau's art grew popular, people were never quite sure what to make of him. The artgoing public might admire his output, despite...

Author: /time Magazine | Title: The Jungles Of The Mind | 12/17/2005 | See Source »

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