Word: talentedly
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Cusworth’s talent, combined with the skill and leadership of Stehle, poses a definite challenge to perennial powerhouses Penn and Princeton...
...thrill of a Dublin pub crawl, but it promises its fair share of exciting events—notably an appearance by Irish director Terry George (“Hotel Rwanda”). With more than 30 features and short documentaries, Magners celebrates the impressive and wide-ranging talent of Irish filmmakers...
...positive Latina heroine. Thoms proves herself a true triple threat in “Rent.” Her singing voice is far and away the strongest of the cast, her dancing is expert, and her acting is measured and effective—all of these talents are on display in her showcase number, “The Tango Maureen.”Dawson also acquits herself nicely. Her singing voice is slight but adequate to the demands. Dawson’s real talent is dance: her turn as a stripper during the “Take Me Out?...
...Death to Everyone” sounds canned and petulant in the studio version, but on “Summer” Sweeney fleshes out the song’s anemic melody with a menacing electric guitar riff, giving the track much-needed heft. Oldham is a formidable talent, but he is never better than when surrounded by great collaborators. Likewise, the honk-tonk pastiche of “I Send My Love to You” becomes an exhilarating rave-up thanks to Ryder McNair’s unhinged keyboarding. McNair is also responsible for the gospel-inspired improvisations...
...Kutcher making a few “special appearances.” Of course, this show isn’t really a ’70s show—according to the show’s timeline, we should be seeing characters in 1984. But without its two biggest talents, there’s no reason to watch. The jokes were getting tired to begin with, and unfortunately Grace is not here to deliver them well enough for laughs. One realizes just how vital Grace was to the series; despite its being essentially an ensemble cast...