Search Details

Word: talents (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...limitations render every other character—from his girlfriend to his quick-witted handler to the chilling pedophile that approaches him in the asylum—fundamentally marginal. It would be a pleasure to watch Hardy’s undeniable range and power at play alongside other talent for extended periods of time; for all his breadth, his character has only two speeds (break-neck and dead-stop) and very little depth. Instead, “Bronson” remains a riveting one-man show, and that’s all it ever asked...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Bronson | 11/20/2009 | See Source »

...movies, music—he can produce compelling “techno” using only his voice—and culture. His ability to impersonate famous personalities, various ethnic accents, and characters from films has primarily contributed to the success of his satire. According to Francisco, developing this talent stems from self-assurance: “Once you get a couple impersonations down, you start to feel confident that you could probably go further.” Although these impressions appear effortless on stage, they often require a good deal of practice before they sound convincing...

Author: By Yair Rosenberg, CONTRIBUTING WRITER | Title: Making an Impression: Francisco Creates Comedy | 11/20/2009 | See Source »

...couple decades ago, while joking around with friends and parodying the deep-voiced memory-training guru Harry Lorayne (who at the time peddled his techniques by radio), Francisco discovered that he could do “the movie guy.” This talent has incorporated itself into one of his greatest acts. On stage, at will, Francisco can drop his voice several octaves and intone, “Coming this summer. Action. Adventure. Romance.” In one sketch, Francisco invited the audience to imagine the voiceover to an upcoming action flick actually being honest...

Author: By Yair Rosenberg, CONTRIBUTING WRITER | Title: Making an Impression: Francisco Creates Comedy | 11/20/2009 | See Source »

...performers came to Cambridge to perform back in the 50s and 60s, Cambridge was still a quietly segregated city. Instead of staying in hotels, artists stayed with Cambridge residents in their houses. According to Siggins, Club 47 filled a gap in American music history—it brought incredible talent and unique voices to the table that would otherwise go unheard. Folk music in Cambridge was also blind to class and social distinctions—that is, the clubs would be concurrently filled with Harvard kids and native Bostonians...

Author: By Rachel T. Lipson, CONTRIBUTING WRITER | Title: Club 47 Revisited | 11/19/2009 | See Source »

...Take time away from post-victory revelries on Saturday to check out “Pride and Prejudice,” the Harvard-Yale talent show with the tagline “…because the real rivalry starts after the game.” Harvard arts groups, including Expressions, will show Yalelies why Harvardians are always superior, on and off the field. $10, at 1 Prospect St. Doors open...

Author: By Kristen L. Cronon, CONTRIBUTING WRITER | Title: A Night In Yale Jail | 11/19/2009 | See Source »

Previous | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | Next