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Word: tales (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...president can't seen to get--keep his tale...

Author: NO WRITER ATTRIBUTED | Title: U.S. Traded Arms for Hostages | 2/26/1987 | See Source »

...sordid tale does not end there. Several weeks later, while watching TV at the home of a female admirer, I was shocked to see my script performed virtually word for word. Only the vaguest attempt had been made to disguise its true source: the setting had been changed from the Soviet Union to the United States, the admiring allusions to myself had been taken out, and the title had been changed, unimaginatively, from Rusha to Amerika...

Author: By Rutger Fury, | Title: From Rusha With Love | 2/21/1987 | See Source »

...proud also that their season of six shows includes three by living American playwrights. Sweet Table at the Richelieu is a surreal tea-time, a peculiar mediation on memory and decay that owes as much to Milan Kundera as it does to Chekhov. It is not quite the "penetrating tale of nobility and charlatanism... guaranteed to keep you engrossed, hypnotised--and dazzled by rich language and seductive images" that the A.R.T. brochure touts. It is, however, a generally intelligent skillful, and well-written piece of theater, and that is more than enough...

Author: By Peter D. Sagal, | Title: Curtain Call: | 2/20/1987 | See Source »

...help answer the questions of our fate as citizens of a great republic and watchers of "Laverne and Shirley," Dewitt highly recommends Salvador (Somerville Theater). This tale of unethical U.S. involvement in Central America came out last year--in an era when "Bonzo" films ruled the land--and drew a very small though politically conscious audience. In fact, its only major run in Boston was at the Orson Welles Theater in Cambridge, an edifice that subsequently burned down, although Dewitt has it on good authority that the film exercised no jinxing effect in that accident...

Author: NO WRITER ATTRIBUTED | Title: DEWITT | 2/19/1987 | See Source »

Equally full of contradictions and strange pairings is The Shining (Harvard Film Archive), a 1980 Stanley Kubrick adaptation of Stephen King's bestseller. The novel was an everyday tale of a haunted resort hotel, charting an ordinary man's descent into insanity. In Kubrick's version, the main character (Jack Nicholson) is completely unhinged from the very start of the movie, leaving out much of the book's terrifying psychological horror. Nicholson comes off as a cross between Manson and Carson, a connection made explicit by the film's most famous line, "Heeeere's Johnny...

Author: NO WRITER ATTRIBUTED | Title: DEWITT | 2/19/1987 | See Source »

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