Word: taling
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Dates: during 1940-1949
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...nothing new; girl reporter divorces the boss and decides to quit for a quiet home life with an insurance salesman. Boss dislikes the idea, and with the help of a real reporter's murder story gets girl back. Salesman goes back to Albany with his mother. Thereby hangs the tale, but the men who have adapted it from the Hecht-Mac Arthur stage play, "Front Page," have made it one of the funniest of the season...
...class - 60th among 125 cadets. At 21 he wrote, in clumsy, inept calligraphy, a pathetic little self-portrait: "My strongest characteristic: gluttony-I never get enough to eat. My credo: self-respect-I believe in myself. My weak points: none. My favorite book: Momotaro [a heroic fairy tale]. My favorite dish: boiled millet and soup with dry leeks [a poor peasant food...
...Kortner; produced by Cheryl Crawford). When Dorothy Thompson attacks Naziism in her famed column On the Record, she is one of the deadliest haters now writing. But when, last week, she attacked it in her first play, she seemed tame as tea and weak as water. A dull, dawdling tale of refugee theatre folk in Manhattan at the time of Anschluss (Co-Playwright Kortner is himself a refugee actor). Another Sun told of their hopes & fears and of the dilemma of the most famous of them, who, unable to get work in the U. S., is tempted to seize...
...Russell has bright blue eyes, a big nose and very little chin, looks like Alice in Wonderland's Mad Hatter. The British upper classes believe that he is mad. For 30 years Earl Russell has scandalized them with his unconventional ideas about politics, marriage, education. According to one tale, a local rector, visiting an unorthodox school for children that Bertrand Russell and the second of his three wives ran in Hampshire a few years ago, knocked on the door, which was opened by a nine-year-old girl, stark naked. Cried he: "Good God!" Retorted she, slamming the door...
Broadway Melody of 1940 (Metro-Goldwyn-Mayer). An uplifting little tale of backstage unselfishness among the hoofers is mounted with the same gorgeousness, but minus the bounce of Broadway-Melodies of 1936 and 1938. This year emphasis on the male lead has been shifted from glamor (Robert Taylor) to talent (Fred Astaire). With George Murphy and Eleanor Powell (survivor of the two previous Melodies), Astaire taps his way through a half-dozen nimble numbers, including Begin the Beguine, some more recent, less inspired Cole Porter tunes. Frank Morgan chases ungrateful files de joie, who try to make off with...