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...Yelberton Abraham Tittle Jr., "that a player is the last one to know when he's too old to play." At 36, the New York Giants' "Yat" Tittle is the oldest quarterback in the National Football League, and the odd cant of his ruddy nose is the talisman of a violent game that he can no longer remember. But nobody-least of all Quarterback-Tittle thinks that he is too ancient to play a young man's game...

Author: /time Magazine | Title: Sport: The Bald Eagle | 11/9/1962 | See Source »

...finally, we come to the perhaps hundreds of photographs, most of which are appallingly poorly conceived, composed, and printed. Surprisingly enough, the bright spot comes among the color photos where, owing to the extreme complexity of good color photography, one also finds the worst exemplars. Mark E. Talisman '63 (Leverett) is the only photographer whose work I have seen so far at Harvard who uses color because color adds to the meaning of his picture; most use it because of all those pretty blues and reds which bear no relation whatever to what the photographer wants to say. Especially good...

Author: By Michael S. Gruen, | Title: House Art Exhibits | 5/15/1962 | See Source »

Only one girl, Marcia Gillespie '64, was among the students winning prizes in the creative arts competition of the Quincy-Holmes Arts Festival. She received a first prize in the areza of painting and sculpture for her work in oils. Second prize was given to Marc E. Talisman '63, for his sculpture "Moses...

Author: NO WRITER ATTRIBUTED | Title: Give Festival Prizes To Gillespie, Talisman | 5/1/1962 | See Source »

...Talisman was the only student recognized with a place in two fields, winning also second prize in photography for his picture of Lake Kimsee in Bavaria. David R. Underhill '63, took first with a color shot of a Mexican girl...

Author: NO WRITER ATTRIBUTED | Title: Give Festival Prizes To Gillespie, Talisman | 5/1/1962 | See Source »

Christina Wilhelm's choreography is uniformly excellent, and well executed throughout. Mark E. Talisman's louvred set is ingenious, but the combinations of panels might have been more distinguishable from one another. During the overture, the audience may wonder what it has got itself into, but James Hughes' orchestra warms up after that. The costumes, designed by Arnita Mongiovi, are dazzling...

Author: By Michael S. Lottman, | Title: Can-Can | 4/26/1962 | See Source »

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