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None appreciated the painting more than Eugène Delacroix, who compared its creator to Homer. An aristocrat who was reputed to be the illegitimate son of Talleyrand, Delacroix both extended and refined Gros' epic romanticism. Though his high baroque style claimed no successor, Delacroix's techniques in juxtaposing complementary colors influenced Cézanne, Van Gogh, Gauguin and the Impressionists. He hit upon the method on a visit to Morocco in 1832. He found that by counterpointing color opposites, which by the law of optics fused in the eye to form gray, he could attain at once...

Author: /time Magazine | Title: Painting: Rediscovered Riches | 7/25/1969 | See Source »

...other teacher so great as Woody. Yet his undergraduate training was not in music but in history. Perhaps it was this shift from one field to another tat accounted in part for his deepest concern: the musical education of the amateur, the non-specialist. Just as Talleyrand proclaimed that war is much too serious a thing to be left to military men, Woody was convicted that music is much is too important a thing to be left to its professionals. So the bulk of his four decades of teaching was directed at non-concentrators--through the introductory survey Music...

Author: NO WRITER ATTRIBUTED | Title: Woody | 7/22/1969 | See Source »

...student of French history, Charles de Gaulle knows well Talleyrand's admonition on the art of government: "Above all, no zeal." But last week, when he appeared on television to defend himself against mounting criticism, the old man seemed to be telling the French nation that he had changed the motto to "Above all, no doubts." To get his message across, though, he ignored French history and resorted to a metaphorical invocation of Faust...

Author: /time Magazine | Title: France: No Doubts | 8/18/1967 | See Source »

...Paging Talleyrand...

Author: /time Magazine | Title: Essay: THE ARTS & USES OF PUBLIC RELATIONS | 7/7/1967 | See Source »

...quite instinctive, courage not quite brave and virtue not quite clean. The best p.r. men know the danger. They also know how and when to get out of the way and just let life happen. More p.r. men should learn that difficult art and adopt as their own Talleyrand's celebrated advice to diplomats: "Above all, not too much zeal...

Author: /time Magazine | Title: Essay: THE ARTS & USES OF PUBLIC RELATIONS | 7/7/1967 | See Source »

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