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...last week to go back to the farm, to sing no more. Encouraged by the mother who had chaperoned .her career, the sister Florence who had taught her to sing, the telegraph-operating father who had flashed the first news of daughter's triumph from the wings, Marion Talley announced that she was through with being a prima donna. Her statement was as simple and matter of fact as herself: "My retirement is permanent. I am going West with my family. The farm might be in California and it might be in Colorado but I'm going...

Author: /time Magazine | Title: Music: Talley Finale | 4/22/1929 | See Source »

...Marion Talley wants to milk the cows, so she is leaving the brilliant glitter of the Diamond Horse shoe-forever. According to her story, Miss Talley was suddenly inspired to snub a new contract from the Metropolitan. She is a fatalist and destiny calls her to the soil where she once spent three months of her childhood...

Author: NO WRITER ATTRIBUTED | Title: "IT IS DESTINY" | 4/15/1929 | See Source »

People say Miss Talley acquired some half million dollars from her brief career. That may not be so good as Gene Tunney did, but at least it looks as though she knew what she wanted even if the business men of Kansas who put the cash up for her start in art did not. And now the mid-western ingenue has an opportunity to show her gratitude to a nation of music-lovers by helping to solve the country's agricultural problem. Meanwhile, explaining to magazine fans why she did not choose to sing may be a profitable side-line...

Author: NO WRITER ATTRIBUTED | Title: "IT IS DESTINY" | 4/15/1929 | See Source »

Annually now the Metropolitan Opera Company feeds the public a big human interest story. Three years ago it was Sopranos Marion Talley and Mary Lewis. Last year it was Soprano Grace Moore. All were "poor girls" who had their dreams, worked hard, lived right. This year so far honors go to Soprano Clara Jacobo, 28, daughter of an Italian grocer, who made her debut last week in Il Trovatore...

Author: /time Magazine | Title: Music: Poor Girl | 11/19/1928 | See Source »

...Singer. Poor girls who work hard, live right, do not always develop into great singers. Marion Talley disappointed. So did Mary Lewis, Grace Moore. But Clara Jacobo promises better things. She has at least, contrary to her predecessors, a mighty voice that fills the far crannies of the opera house. She has had operatic experience, sings and moves with an assurance that projects over the footlights. Her first Leonora quavered occasionally, strayed a bit from the pitch but critics took it all kindly, as part of a debut performance, voted her a useful addition to the Metropolitan roster...

Author: /time Magazine | Title: Music: Poor Girl | 11/19/1928 | See Source »

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