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...sanity and perseverance of the business department of this paper. With Premier Haldwin as their guide and sana means in corpore sano as their motto they are standing, bloody but unbowed before the rushing legions of adversity. So none need fear any revolution in Cambridge. Plus as change--as Talley-rand might comment--plus c'est la meme chose...

Author: NO WRITER ATTRIBUTED | Title: FOUL STRIKES | 5/7/1926 | See Source »

...rest of Atlanta's week was taken from a representative repertoire of well-tried operas, with Marion Talley and Mary Lewis the only newcomers added to the list of well-tried singers. With the company this year went Otto H. Kahn, chairman of the board of directors and majority stockholder. (See BUSINESS.) Said...

Author: /time Magazine | Title: Announcement | 5/3/1926 | See Source »

...ever before, that the eleven novelties and revivals, if not notably significant, had served their purpose of breaking the monotony of the standard repertoire. The consensus of opinion was that little had been accomplished for the cause of the U. S. singer by the widely heralded debuts of Marion Talley and Mary Lewis. Said Critic Olin Downes in the New York Times: "Undoubtedly the most valuable addition to the ranks of the Metropolitan in the past season was Lauritz Melchior, Danish tenor...

Author: /time Magazine | Title: Music: Stokowski's Satire | 4/26/1926 | See Source »

...flocked from all over the countryside to hear Aida, with Rosa Ponselle and Giovanni Martinelli; Don Quichotte, with Feodor Chaliapin; La Bohême, with Lucrezia Bori, Beniamino Gigli, Antonio Scotti; Pagliacci, with Mary Lewis, Armand Tokatyan, Lawrence Tibbett; Jewels of the Madonna, with Florence Easton and Martinelli; Lucia, with Marion Talley; Tannhauser, with Rudolf Laubenthal; II Trovatore...

Author: /time Magazine | Title: Music: Stokowski's Satire | 4/26/1926 | See Source »

...prepared as industriously and intelligently for their debuts as Mr. Melchior. If they had, there might be here a different story to tell of the debuts of Miss Lewis and Miss Talley?Miss Lewis whose voice is not under any circumstances an important one for an operatic career; Miss Talley, with a better vocal equipment, but needing greatly long periods of quiet, concentrated study to eliminate serious vocal difficulties and find herself as an artist. Both young women were given publicity beyond their merits. Both of them went on the Metropolitan stage pursued by reputations manufactured in advance, and neither...

Author: /time Magazine | Title: Music: Stokowski's Satire | 4/26/1926 | See Source »

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