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...flew to Mexico City to see for himself. One Californian sent in his $4,000 check for one painting, a leader of Ft. Worth's oiligarchy reserved another four paintings, and U.S. museums hurried to get in bids. Focus of all the excitement: Mexican Muralist and Painter Rufino Tamayo, 56, today hailed in his own land as Mexico's modernist número...

Author: /time Magazine | Title: Art: Numero Uno | 10/15/1956 | See Source »

Down with the Phalanx. For Tamayo, a proud Mexican and fullblood Zapotec Indian, such success is sweet balm for long years of struggle in Manhattan and of official ostracism in his own city. Outside Mexico Tamayo has in recent years won a hatful of international awards, including a $5,000 first prize at Sāo Paulo's 1953 biennial, a second in last year's Carnegie International (but not the Barcelona Biennial grand prize, which Tamayo turned down, later explaining: "I am not on good terms with Mr. Franco"). At home Tamayo, outspokenly antiCommunist, has been...

Author: /time Magazine | Title: Art: Numero Uno | 10/15/1956 | See Source »

What pleases Tamayo most about his latest success is that he has won it with a new technique. Not long ago he made a disturbing discovery. Said he: "Salons in New York and Paris was featuring Tamayo Pink.' Why, my wife even got presents-aprons, pillow cases and napkins with watermelons on them. Naturally, I was displeased...

Author: /time Magazine | Title: Art: Numero Uno | 10/15/1956 | See Source »

...Tamayo's answer was to scrape his palette clean, begin using grey and white. He used color sparingly in small splashes of gold, red, lavender and cerulean blue; he switched from his usually thin paint surfaces, often done in Vinylite, to full-bodied oils thickly applied to gain surface richness. What remains the same is Tamayo's distinctive approach, which can assault the senses with all the fury of a maddened cat, shift to grotesque satire, or acquire the quality of jagged hallucination as in his Phantasma (see cut') which depicts a phosphorescent feminine specter who seems...

Author: /time Magazine | Title: Art: Numero Uno | 10/15/1956 | See Source »

Fleischman and wife Barbara lost no time in wading in, are now sopping up Mexican culture, have started buying Mexican art, and have struck up an acquaintance with Artist Rufino Tamayo. In his way, Collector Fleischman is proving to be almost as good propaganda as his collection. He will travel with it to nine other Latin American countries in the next 20 months...

Author: /time Magazine | Title: Art: Gringo Success | 9/10/1956 | See Source »

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