Word: tambien
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Dates: during 2000-2009
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...your former Y Tu Mama Tambien co-star Diego Luna recently started a traveling documentary-film festival in Mexico. Why documentaries...
...pass. Leos Carax's 1999 Pola X contained a love scene with a somberly lighted but unmistakable view of an erect penis, yet it received a U in France, the equivalent of our G. (The film had a limited, unrated release in the States.) Y tu mama tambien, Alfonso Cuaron's Mexican comedy-drama about two teenage boys and the slightly older woman they take on a jaunt, could be seen by 12-year-olds in France but was forbidden to under-18s by the MPAA...
...Occasionally, a film goes into the marketplace unrated and finds a welcoming adult audience. Y tu mama tambien earned $13.8 million at the North American box office, along with lots of critics' awards, and $19.8 million abroad. That cume, $33.6 million, is pretty good for a sexy little art film with a budget (according to the Internet Movie Database) of about $5 million. But it's less than, say, Saw II, the horror-film sequel that cost only $4 million to make, earned in just its first weekend in the U.S., Canada and Britain...
...Wouldn't you like to see, in one sitting, the new films from the directors of Fargo, Sideways, Scream, Y tu mama tambien, Bend It Like Beckham, Irma Vep, The Motorcycle Diaries, The Triplets of Belleville and Run, Lola, Run? (For those of you who don't frequent art houses, we speak of Joel and Ethan Coen, Alexander Payne, Wes Craven, Alfonso Cuaron, Gurinder Chadha, Olivier Assayas, Walter Salles, Sylvain Chomet and Tom Tykwer.) Wouldn't it to lovely to bathe briefly in the radiance of Fanny Ardant, Juliette Binoche, Steve Buscemi, Sergio Castellito, Willem Dafoe, Ben Gazzara, Maggie Gyllenhaal...
...modern example of the latter are Nixon itself and Y Tu Mama Tambien, by Mexican director Alfonso Cuaron, who is also one of the producers of Nixon. Cuaron laments the lack of genuine political fervor behind the majority of American cinema. In a recent interview he described various films by foreign directors who are trying to make a statement. What he disagrees with is the American notion that these filmmakers and their countries hate America. “We love America,” says Cuaron. “Most of us love America, what we don?...