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Almost at the End demonstrates why. A collection of prose and poetry, the book is nicely timed with the reappearance of Yevtushenko, 53, as a prominent spokesman for Gorbachev's liberalization campaign. The new work is theatrical but tame. The targets are either old monsters or the class of unreconstructed bureaucrats whom the new regime has pledged to replace. The daring urgency of earlier poems, such as The Heirs of Stalin and Babi Yar, has given way to all- purpose indictments of totalitarianism and effusions of universality. "I ; would like to be born in every country,/ have a passport...

Author: /time Magazine | Title: Books: Hot Barracko From Zima Junction ALMOST AT THE END | 5/25/1987 | See Source »

...villa's social calendar is tame in comparison to Bernard Berenson's time, when I Tatti was the focus of the literati set, says Agnes Mongan, the former director of the Fogg Art Museum and curator of prints emeritus...

Author: By David M. Lazarus, | Title: The Sun Seldom Sets On Harvard's Empire | 3/25/1987 | See Source »

...SPEECH Coors delivered--while occasionally offensive--was really pretty tame, as the Conservative Club no doubt anticipated. But Coors came to Harvard with the reputation, deserved or not, of a racist who disregards the rights of his employees. It was his presence that motivated the protest outside the Science Center, and that was what the "speech," from the point of view of its organizers, was all about...

Author: By Kevin M. Malisani, | Title: Coping with the Conservative Club | 3/9/1987 | See Source »

Budge's eccentric meditations appear relatively tame once Grass (John Bottoms) plows into the room, dragging an I.V. stand with bottles pumping fluids into his every orifice. Grass claims to suffer from "heavy water." After some banter about medical exotica like "dangling paraphenalia" and "polyester blood," a nurse comes to take Grass back to the "Day Room" in the psychiatric wing. Then this nurse is taken away as a looney...

Author: By Abigail M. Mcganney, | Title: Curtain Call: | 2/27/1987 | See Source »

...shock tactics; they took their cue from the gore and funereal fun of Psycho, not the narrative crisscrossing of Strangers on a Train. De Palma and Carpenter were only serving their audience. The music- video generation was disinclined to track the intricacies of a well-made plot. Those tame pleasures were best left to TV sleuths and their fogy fans...

Author: /time Magazine | Title: Cinema: The Ghost of Alfred Hitchcock | 2/16/1987 | See Source »

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