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...made Europe's biggest jump in power production, the nationalized power companies revealed plans to double their 47.5 billion kwh. capacity within eight years. Kenya is about to start work on a project that will harness a 900-ft. drop in the country's largest river, the Tana...

Author: /time Magazine | Title: Power: The World's New Temples | 3/20/1964 | See Source »

James Bruce, a gingerish Scottish aristocrat, was the first Briton to penetrate to the headwaters of the Blue Nile, at Lake Tana in Ethiopia. Bruce's intrusion into the "nightmarish fantasy of Ethiopian affairs," where he casually joined as it suited him one or another of the chronic little local wars, is a historic comedy with tragic forebodings. Bruce himself was an arrogant braggart, and Moorehead has great fun with his efforts to discredit the stories of missionaries who had been there before...

Author: /time Magazine | Title: Books: River of History | 8/31/1962 | See Source »

...tale loups along wi' a high jink an' diddle, an' forbye 'twill gie the whole bairntime a blype o' kecklin an' snirtlin. Attour, the spunkie singin' o' Brochan Lorn Tana Lorn an' the sicht o' the banks an' braes o' bonnie Argyll in sic a spairge o' green an' gowd is like to hae the harigals out o' ony mon wi' a drap o' Scottish bluid, an' that's the fu' graip o' gulravage...

Author: /time Magazine | Title: Cinema: A Blype o' Clishmaclaver | 12/28/1959 | See Source »

...first contestant was a tall blonde from Oregon with a willowy Grace Kelly look. When she rose from the piano after playing Brahms's Concerto No. 1 in D Minor, the ovation was led by the usherettes at the rear of the hall: only three years ago. Pianist Tana Bawden had been a Carnegie Hall usherette herself. But after the slim, curly-haired young man from St. Louis played Prokofiev's Concerto No. 2 in G Minor, the ovation was even louder: at intermission a Carnegie Hall stagehand was making book on him in the lobby...

Author: /time Magazine | Title: Music: Fanfare for Piano | 10/12/1959 | See Source »

Contrived & Documentary. That realism is not necessarily all is illustrated by the retrospective portfolio of photographs (see pp. 59-66). Of the twelve shown, at least half are contrived rather than documentary. Tana Hoban used a professional model for her sun-splashed shot of a little girl. Its lighting is reminiscent of the impressionistic paintings of Renoir et al., and its atmosphere is that of a powder puff. Aaron Siskind's closeup of peeling paint is not supposed to look like paint alone; it is a faintly sinister pattern reminiscent of easel pictures by the German surrealist Max Ernst...

Author: /time Magazine | Title: Art: Two Billion Clicks | 11/2/1953 | See Source »

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