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SERGEUS TANAJEFF's name is unfamiliar to most people. It might be that the name is used here merely as an impressive version of Sergei Taneyev; the former was the transcription used by Russian transliteraters at the turn of the century. Semantics aside, though, Tanajeff has not achieved the mastery of composition that his fellow Russians, like Tchaikovsky and Prokofiev, attained. Tanejeff (1856-1915) wrote a trio for violin, cello and piano that makes one wonder how he was able to take Tchaikovsky's old position as professor of instrumentation at the Moscow Conservatory when the old genius died. Certainly...

Author: By Robert F. Deitch, | Title: ...By Any Name | 12/11/1981 | See Source »

...history has it that Tchaikovsky taught Taneyev everything he knew (about composition). Nikolas Rubinstein, brother of the pianist extraordinaire of the nineteenth century but unrelated to Artur Rubinstein, taught him piano at the conservatory. The fledgling Taneyev also followed in Rubinstein's footsteps by taking over Nikolas's job when he passed away. Then he took over the Moscow Conservatory...

Author: By Robert F. Deitch, | Title: ...By Any Name | 12/11/1981 | See Source »

...Taneyev, the tone sounds tinny, possibly as a result of a poor pressing, but the timing compensates. An emphasis on timing is the most important characteristic of the 1980s, at least according to Mickey Rooney. For instance, it's time for "Mickey Rooney macarooney," he claims. In a similar vein, timing and tempo and rhythm can make up for poor intonation (what happens if you play out of tune), harshness of tone and lack of musical expressiveness, which occurs when performers forget to write their emotions in performance on flashcards to be held up by page turners when appropriate...

Author: By Robert F. Deitch, | Title: ...By Any Name | 12/11/1981 | See Source »

...pieces have qualities of the simple, clear French style. Taneyev visited Paris in 1877-78; Tcherepnin did the same in 1921 because of political troubles in Tibilisi, where he had moved. The Tcherepnin trio shows the influence of contemporary French composers like Darius Milhaud. But the trios resemble each other only insofar as Tcherepnin's father Nikolai was a pupil of Rimsky-Korsakov, who had been friends with Taneyev. It is unlikely, though, that Taneyev had a significant influence on Rimsky-Korsakov, who composed 'Flight of the Bumble Bee" (destined to become the theme song of The Green Hornet...

Author: By Robert F. Deitch, | Title: ...By Any Name | 12/11/1981 | See Source »

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