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...Tangent Watchers," the most recent of a series of intimate dances titled "Inscapes," Gray does succeed in reaching beyond her theme. A duet for two women, the pieces begin with Gray pounding her fist into her palm, Susan Dowling catching one wrist with the other hand. Dowling delicately arrests her gestures, Gray percussively snaps hers. Both work within their own style of moving and yet transcend their individuality too, dancing in unison through the second half of the piece. In contrast, Gray starts off another dance in the series, "Looking to See," with unison movement. In this piece a second...

Author: By Susan A. Manning, | Title: At the Still Point | 5/18/1976 | See Source »

...Fogg show includes his earliest comic-book panels from 1963, which first won him his notoriety. Lichtenstein went off on an entirely different tangent in his attempts to convey the wavy fluidity, "the absolute indeterminate essence" of the sun, sky and ocean. He uses a combination of schematic and symbolic lines, actual color photographs, and a shimmering plastic called Rowlux, that in any other context--the plastic body of a comb or a brush, a drug-store display, a hair-salon wall--would be called vulgar. But here it is uncanny in its hypnotic approximation of nature...

Author: By Ta-kuang Chang, | Title: Medieval Comic-Books | 10/1/1975 | See Source »

From there, though, Sha Na Na heads off onto a whole new tangent that is more theater than concert. The second act, "Sha Na Na Hits the Street," features props and backdrop assimilating a New York streetscape, complete with lit lamp post, brick wall scrawled with initials and obcenities, and a clothesline dangling scraggly threads. Act two then moves to a hop and ends with a dance contest emced by Bowzer in which three members of the band choose partners from the audience...

Author: By Peter A. Landry, | Title: Sha Na Na: Revitalizing Revivalists | 11/9/1973 | See Source »

...sidelines doing push-ups when the Crimson scores, and the Harvard fans leisurely sip on their Scotch-and-waters, the Band vehemently eggs the Harvard charges onward with traditional cheers like "Shove that Ball" and "E to the x! dy! dx!/E to the y! dy!/cosine, secant, tangent, sine/three point one four one five nine/come on Harvard, give 'em the digit!" The latter cheer is called "Engineers...

Author: By Robert Decherd, | Title: The Harvard Band: After Today, What? | 11/22/1969 | See Source »

...given moment is all one can be entirely aware of, can fully experience. During the actual shot, the what would happen was still essentially unknown, a true probe in the imagination; the space capsule could have yoyoed the moon and whipped off towards the sun on a screaming tangent. But more importantly, only we, observing the space shot at the moment it happened, can fully understand the extent of human knowledge, mythology, and curiosity at the time of the experience...

Author: By John G. Short, | Title: Understanding Moonshots | 1/9/1969 | See Source »

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