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Word: tanglewood (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

BERNSTEIN AT 70 (PBS, March 19, 9 p.m. on most stations). A musical tribute, held at Tanglewood last August, featuring Beverly Sills, Bobby McFerrin, Betty Comden and many other admirers from the music world...

Author: /time Magazine | Title: Critics' Choice: Mar. 20, 1989 | 3/20/1989 | See Source »

Though he did not enter the HRO competition his first two years at Harvard, Hinton's success is not wholly unprecedented. He has played with both the Boston and Dallas Symphonies and participated in music festivals at both Aspen and Tanglewood...

Author: By Kit Troyer, | Title: A Long Way From Louisiana | 3/3/1989 | See Source »

Soprano Julie Wu '88 returns to Dunster House this weekend to present works by Haydn, Debussy, Brahms, Strauss and Walton. Wu, who was a Literature concentrator while a resident of Dunster, has studied voice at the Longy School of Music for several years and has performed locally with the Tanglewood Chorus. Earlier this year, Wu sang the soprano lead in Dunster's Christmas presentation of Handel's Messiah. Saturday's voice recital is free and open to the public...

Author: NO WRITER ATTRIBUTED | Title: Arts on Campus | 2/17/1989 | See Source »

...tiny 16-year- old Japanese prodigy Midori (born Midori Goto), a student of noted Violin Teacher Dorothy DeLay at Juilliard. Midori's robust tone and strong technique -- and her uncanny composure in the face of two broken strings during her performance of Leonard Bernstein's Serenade -- stunned a Tanglewood audience on a muggy summer night two years ago at a Boston Symphony concert led by Bernstein...

Author: /time Magazine | Title: Music: Siren Songs at Center Stage | 4/11/1988 | See Source »

...newfound status has widened his scope. This year Norrington will lead the Boston Symphony at Tanglewood and conduct the Messiah in San Francisco; his North American dates are booked through 1990. Next year's "Experience" subject is still under discussion, but Schumann is a likely candidate. It is an apt choice: conventional widsom says that Schumann was an inept orchestrator whose four symphonies are flawed by treacly instrumental writing. For Norrington, though, such wisdom is both hidebound and earthbound. "Take nothing for granted," he says. "That's my motto over the door." Perhaps Schumann too can soar...

Author: /time Magazine | Title: Music: Only Poetry Played Here | 3/21/1988 | See Source »

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