Word: tango
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Dates: during 1970-1979
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...BEEN A year since the big stir over Last Tango in Paris. This year the commotion is over The Exorcist, and it's a more honest fuss over a less honest movie. People see The Exorcist because they want to be scared. They want to feel the emotion of the movie, and they say so. But people who saw Last Tango in Paris hid behind critical pretension. Not many people would admit they wanted to see the movie to feel the sex, the passion and the hate it contained. The audience, like the critics, thought its role was to decide...
Though the Watergate serial dominated our mail, our Jan. 22 cover on Marlon Brando's controversial film, Last Tango in Paris, elicited an unprecedented 12,000 letters for a single story, surpassing the number received for the previous record holder, the cover story Is God Dead?, in 1966. A story need not be cover-length, however, to stir up a big response. A short item in People [April 2] on Billy Graham drew scores of letters, most of which criticized the evangelist's suggestion that rapists be castrated. "Bless Billy Graham for making virtue secure," wrote one subscriber...
...from the Massachusetts Institute of Technology, where a social-dance class that began during the semester break attracted 109 nostalgic students instead of the expected 20 to 30, all eager to learn not the latest rock steps but the dances their parents once did: the rumba, jitterbug, foxtrot, waltz, tango, Charleston, even the polka. Says Instructor Harry Brauser: "These dances serve as a contact point between generations. Kids are now interested in what their parents experienced; everything their parents did is no longer looked down upon...
...that 1973 was such a remarkable year. There were the hits (Deep Throat) the bombs (Lost Horizon), the sensations (Last Tango in Paris) and the sensation-mongers (The Exorcist), the uppers (Happy New Year) and the downers (Slither), the hype-mades (The Long Goodbye), the homemades (Joyce at 34) and the readymades (Paper Moon and The Paper Chase--real paste-up jobs), the libbers (A Doll's House), the lobbers (Bang the Drum Slowly), and the cops and robbers movies playing red-light green-light with the good-guy hot seat--clearly the list eludes an all-embracing label...
...Last Tango in Paris. "A movie that people will be arguing about for as long as there are movies. Bernardo Bertolucci and Marlon Brando have altered the face of an art form." Well. Pauline Kael started it all with these words, and it was inevitable that parody would flourish to a point where Buchwald could talk of a dumb movie about the Parisian housing shortage and two apartment-hunters who find a rundown flat and spend a lot of time rolling around trying to measure it for a carpet. But it's not typical for anyone to skip joyously unaffected...