Word: tango
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...Flew Over the Cuckoo's Nest at 2:45 and 7:30; Last Tango in Paris at 12:30, 5:05, 9:45, Friday and Saturday...
...festival did try to add a touch of spice, which seems to have become de rigueur since Bertolucci's Last Tango in Paris stirred things up four years ago. But this year's offering, In the Realm of the Senses, directed by Japan's Nagisa Oshima, was impounded by U.S. customs officials after they viewed it at a press screening. Nobody seemed to mind much, which probably had less to do with indifference to civil liberties than with general embarrassment over the quality of the film. In the Realm of the Senses is like the customs...
...hope of moviemakers who are now trying to turn ballet stars into box office draws at the cinema. In Spain, Dancer Rudolf Nureyev, 38, has stepped into the role of legendary screen lover in Ken Russell's film Valentino. His sole dancing assignment in the film: a 1920s tango. At the same time in New York, fellow Kirov Defector Mikhail Baryshnikov has tried a few lines of his own in The Turning Point, a ballet movie featuring Misha, 28, and Leslie Browne, 19, as a pair of dancer-lovers. For Browne, a last-minute stand-in for ailing Gelsey...
...number of Reeling's reviews, she loses (or more precisely abandons) this fine cutting edge, perhaps for the first time. Starting with Last Tango in Paris and picking up at the end of the collection with Shampoo, Godfather II and Nashville, Kael does something she's never done before: she lifts her analytical tools from the film itself and begins to sell it to the reader; she seems to ladle on superlatives for the publicists to lap up. About Tango, she writes, miscalculating badly, that "this is a movie people will be arguing about, I think, for as long...
What really sets these reviews apart from the rest is her private discovery, in each film, of a revolutionary jump in theme or technique, the unexpected tapping of a mother-lode. In Tango, she hits upon the bleak, angry use of explicit sex; in Shampoo, the expansion of the conventional romantic triangle into a romantic pentagon; and in Nashville, the seamless fusion of stylization and a documentary feel. She jumps up and down at these new affects, and never settles down to put her surgeon's tools to work. Sparked by a childlike fascination for film history and change...