Word: tangoes
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Dates: during 1970-1979
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...States-on the final night of the New York Film Festival in October. "That date," wrote Critic Pauline Kael in The New Yorker, "should become a landmark in movie history comparable to May 29, 1913-the night Le Sacre du Printemps was first performed-in music history. [Tango has] altered the face of an art form. This is a movie people will be arguing about for as long as there are movies." United Artists recently reprinted the whole of Kael's extraordinary rave as a double-page ad in the Sunday New York Times-the first salvo in what...
...Tango's explosive impact will demonstrate to a wide public what many film buffs already know: that Bertolucci, 31, is Italy's most gifted director in the generation after Fellini and Antonioni, and one of the most gifted younger directors on the world scene (see box, page 54). It will also introduce, in the role of the young girl, a striking new performer: France's sensual, baby-faced Maria Schneider, 20, whose blithely amoral charm perfectly expresses the contem porary...
...seemed, through the 1960s, to be erratically and sometimes disastrously in decline: Marlon Brando. Brando is already being touted as an Academy Award contender for his role in last year's The Godfather. Now his emotionally wrenching, coruscating performance as the protagonist of Tango fulfills all the promise he gave in the earlier film of regaining his old dominance, not only as an actor but also as a star and a legend...
...people who see Tango in the U.S. will at least be mature in years. The film will carry an X rating, which bars admission to viewers under 18. Says Eugene Picker, an executive of the Trans-Lux Corp., which owns the Manhattan theater where Tango will open: "There is such a thing as pornography, and there is such a thing as a beautiful, well-made production by a talented director, and when you see this movie you will understand the difference...
...will also understand the similarities. There is no escaping the fact that Tango bears some kinship to the kinds of movies that play down the street and around the corner from it in the more permissive West European and U.S. cities: the Bad Barbaras, the Highway Hustlers, the Deep Throats. The audacity of Tango might not have been possible, either in terms of the law or of audience acceptance, without the example of out-and-out porno flicks...