Word: tangoes
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...went on an experimental drug called Glivec, and within weeks everything changed. "All my energy started coming back," she says. "Suddenly I could read. I could take a walk." By August, tests showed her bone marrow was clear of leukemia cells; in December she took up the Argentine tango. She still has the lists of what her daughters will get, but, she exults, "They're not going...
...went on an experimental drug called Gleevec, and within weeks everything changed. "All my energy started coming back," she says. "Suddenly I could read. I could take a walk." By August, tests showed her bone marrow was clear of leukemia cells; in December, she took up the Argentine tango. She still has the lists of what her daughters will get, but, she exults, "They're not going...
...Falling in Love With You" (Elvis Presley) from the 18th century French ballad "Plaisir d'amour" by Jean-Pierre Claris "It's Now or Never" (Elvis Presley) from the 19th century Italian song "O Sole Mio" by Giovanni Capurro and Eduardo Di Capua "Jealousy" (Frankie Laine) from the "gypsy tango" by the Danish composer Jacob Gade "Let It Be Me" (The Everly Brothers) from the French song "Je t'appartiens" by Gilbert Becaud and Pierre Delanoe "The Lion Sleeps Tonight" (The Tokens) from the South African chant "Wimoweh" "Mack the Knife" (Bobby Darin) from the German song "Die Moritat...
...acts in particular cater to an older crowd: the “Silk Aerial” team of Katherine Schumann Binder and Sasha Nevidonski, who gracefully twist and twirl several feet above the ground by wrapping themselves up in a long, white silk scarf, and the “Tango Acrobatics” of the French team of Sophie Ferrero and Virgile Peyramaure, a painful test of strength as the two balance each other’s bodies while, in stereotypical French fashion, infuse the act with a sexy je ne sais quoi. In another particularly creative act that both...
...success spoiled Mark Morris? Not even slightly. In his glorious production of Four Saints, the singers are relegated to the orchestra pit, while St. Teresa (Michelle Yard), St. Ignatius (John Heginbotham) and 12 "assorted saints" swoop, skip, strut and tango across the stage, bringing out all the fun in an opera that, since its 1934 premiere, has been embraced almost solely by devotees of the avant-garde. Skating atop Stein's nonsensical wordplay ("Once in a while and where and where around around is as sound and around"), Morris has created a heavenly playground full of beautiful saints who dance...