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...scores for composition or technical merit. They did it despite choosing music, Ravel's Bolero, that does not contain a change of tempo, supposedly a requirement. But to Torvill and Dean, ice dancing is much more than a Roseland medley of a dash of tango, a pinch of waltz, then up and out with some fancy polka footwork. In place of the rules, they offered an idea: music as movement, not scaffolding; skating as expression, not simply virtuosic display...

Author: /time Magazine | Title: Sport: A Little Touch of Heaven | 2/27/1984 | See Source »

Predictably, the songs which spoof timeless issues have survived well. The revue includes some of his best, like "Vatican Rag," "New Math," "Pigeons in the Park," "Masochism Tango," and, of course. "Fight Fiercely, Harvard." But at least a quarter of the two-hour long show included songs which focus on either nuclear destruction, global pollution, or the folk songs popular 15 years ago. And while "Werner Von Braun," "Who's Next," and "The Folk Song Army" elicits chuckles, the overriding feeling is one of nostalgia, not of aroused social awareness...

Author: By Stuart A. Anfang, | Title: Mellowed With Age | 10/27/1983 | See Source »

...moviegoers who are not shocked, titillated, disgusted, fascinated, delighted or angered by this early scene in Bernardo Bertolucci's new movie, Last Tango in Paris, should be patient. There is more to come. Much more. Bertolucci has marshaled his opulent visual style to tell a stark story of sex as a be-all and end-all. For boldness and brutality, the intimate scenes are unprecedented in feature films. Frontal nudity, four-letter words, masturbation, even sodomy-Bertolucci dwells uncompromisingly on them...

Author: /time Magazine | Title: SHOW BUSINESS 1973: Portrait of a Sensualist: LAST TANGO IN PARIS | 10/5/1983 | See Source »

...seemed, through the 1960s, to be erratically and sometimes disastrously in decline: Marlon Brando. Brando is already being touted as an Academy Award contender for his role in last year's The Godfather. Now his emotionally wrenching, coruscating performance as the protagonist of Tango fulfills all the promise he gave in the earlier film of regaining his old dominance, not only as an actor but also as a star and a legend...

Author: /time Magazine | Title: SHOW BUSINESS 1973: Portrait of a Sensualist: LAST TANGO IN PARIS | 10/5/1983 | See Source »

...takes two to tango." That is how Ronald Reagan once described the condition necessary for cooperation with the Soviet Union. The tango is just the right metaphor for diplomacy. It is performed in the formal setting of a ballroom, to the vigorous but stately measure of 4/4 time, with a good deal of melodramatic posturing and a great variety of steps. But for the past few years, any kind of dance has been just the wrong metaphor for Soviet-American relations. The two superpowers have been circling each other warily, sometimes menacingly. If they came together, many feared, it would...

Author: /time Magazine | Title: Essay: Roadblocks en Route to a Superpower Summit | 8/22/1983 | See Source »

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