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Word: tangoes (lookup in dictionary) (lookup stats)
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...Hara knew the bunny-hug, the turkey trot, the tango, the fox trot and the polka, and had a good sense of humor. Thus, the woman who earned his wrath at the speakeasy might have earned another reward in different circumstances...

Author: By Robert F. Deitch, | Title: A Rage To Live | 2/25/1981 | See Source »

...professional voices, flaws that go unnoticed in the excitement of a live performance. For example, the group's version of "Blue Moon," an elaborately arranged scat number that never fails in concert, seems lifeless and stale without the little drama that accompanies it on stage. Likewise, "The Masochism Tango," one of their weaker numbers live, comes across childish and definitely unfunny on the record. There are exceptions, particularly Grant Bue's gutsy baritone solo on "What's Your Name?," and the last song on the album, a perfectly paced "Serenade in Blue," with an unusual and pleasing solo by tenor...

Author: By Jeffrey R. Toobin, | Title: 'Muffy, A Song For Us' | 2/14/1981 | See Source »

...director lifts the worst parts of the ending of 2001; the screenwriter suddenly discards the rest of the movie in favor of banalities about the "power of love"; and the actor plays it all like Aeschylus, when it's more like Rod McKuen. Eddie Jessup calls his last tango in the tank "the most supremely satisfying moment in my life." Still a young man, poor Eddie may have better days ahead...

Author: By Jeffrey R. Toobin, | Title: Cinematic Regression | 1/14/1981 | See Source »

...unflinching compassion. Now, in Loulou, Pialat tells the story of an arrogant wastrel (Gerard Depardieu) and his sexual hold on a middle-class woman (Isabelle Huppert). She rejects the wimpy masochism of her petulant lover for the violent energies of the world's greatest stud. Last Tango, Take...

Author: /time Magazine | Title: Cinema: Love and Death | 10/20/1980 | See Source »

...Robert Altman planned an eight-hour Nashville saga for ABC, and Martin Scorsese hoped to restore many of the sequences cut from New York, New York for telecast on NBC; so far, neither dream has been fulfilled. Bernardo Bertolucci is a compulsive tinkerer. After the release of Last Tango in Paris, Critic Pauline Kael complained to him that one of the best paragraphs in her review described a sequence that Bertolucci...

Author: /time Magazine | Title: Cinema: No, but I Saw the Rough Cut | 8/18/1980 | See Source »

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