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...well-dressed New York audience leaving the Sunday matinee performance of Last Tango in Paris had emerged trying to hide the impact of the film behind the trivial concerns of an entertainment mentality. Was the film "good?" Did you like Brando's acting? Isn't Bertolucci a marvelous director? Was it, heh-heh, too explicit for you? Then, talk of what to do this evening, where to go next week -- a rapid shift of the attention that left no time for emotions to sink in. Escaping down 59th Street to Central Park, re-running the film in our minds...

Author: By Richard Shepro, | Title: Reacting and Eluding | 3/29/1973 | See Source »

...women relies on little white pleated skirts ending just above the knee, and small cloche hats pulled down to the eyebrows For evening, everything is soft and flowing in chiffon and crepe de Chine, bias cut to drape close to the body, just the thing for a moonlight tango with a gentleman in an Indian silk suit. The fabrics are natural-wool, linens, pure cotton-and difficult to care for, with a tendency to develop the rumpled badge of the thoroughly bred. "A poor man can't afford to look wrinkled," observes Lauren. "A rich...

Author: /time Magazine | Title: Modern Living: The New Old Sports | 3/26/1973 | See Source »

...Clockwork Orange, but sado-masochism in all its ugly forms. Any work of art, or scene within one, which depicts violence as stimulating, or sex as in its essence violent and exploitive, should be suppressed. If the many reviews and plot descriptions I have read are accurate, The Last Tango in Paris fits this latter category in its entirety. Its systematic degradation of the female sex, its depiction of sex as pure violence, and its final scene of sexually motivated murder by the degraded girl, represent the kind of chemistry society can do without. If by suppressing this film...

Author: By Jeffrey Bell, | Title: The Case for Censorship | 3/6/1973 | See Source »

...only for those who enjoy The Last Tango in Paris (as I probably will not), but too bad for people like me who enjoy Peckinpah and believe that A Clockwork Orange was among the very best films directed by an American in the last decade. To those who say that art is sacred and should take priority over social health, I have no reply--except to say that I disagree. But opponents of art censorship must--and I believe will--increasingly recognize that total freedom exacts a heavy price in social health. By the same token, supporters of censorship must...

Author: By Jeffrey Bell, | Title: The Case for Censorship | 3/6/1973 | See Source »

...husband and I saw Tango and we found the film to be extremely moving, with innumerable thought-provoking complexities (not necessarily sexual...

Author: /time Magazine | Title: Letters, Mar. 5, 1973 | 3/5/1973 | See Source »

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