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...LAST TANGO IN PARIS and THE SPIDER'S STRATAGEM. One overpraised but still important, the other too little seen. Together they establish Bernardo Bertolucci as a significant cinematic force...

Author: /time Magazine | Title: Cinema: The Year's Best | 12/31/1973 | See Source »

...Last Tango in Paris 6, 8, 10; weekend mats...

Author: NO WRITER ATTRIBUTED | Title: Boston | 12/20/1973 | See Source »

...Last Tango in Paris 7, 9:30; weekend mats...

Author: NO WRITER ATTRIBUTED | Title: Boston | 12/20/1973 | See Source »

...messages through to the President. Though Rose politely takes them, says Gray, "she would rather dance than anything." When no dancing partner is available, the auburn-haired, matronly secretary has been known to take to the dance floor by herself, dancing solo to an orchestra's fiery tango rhythm. At home she often listens to music, using what a frequent visitor describes as "a really good tape system...

Author: /time Magazine | Title: THE CRISIS: The Secretary and the Tapes Tangle | 12/10/1973 | See Source »

Mean Streets doesn't bother too much with conventional metaphor. A film like Last Tango in Paris derived its emotional impact from compression: a wide range of the experience of Paul and Jeanne was condensed into moments of expression (sex acts, for example) which operated like a prism, and at the movie's best, whole characters' lives were refracted and born again in rawer form. Tango was weakest, in fact, when it tried to fill in the details...

Author: By Richard Turner, | Title: The Habits of Cornered Rats | 11/1/1973 | See Source »

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