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...sapphire sky-gleams like a piece of jewelry. There are lonely street scenes by the Russian-born American, Eugene Berman, a moving little Fisherwoman by Berman's equally romantic brother Leonid. In the fiery Matta canvases colors explode and splash, while the unearthly landscapes by the late Ives Tanguy. who was one of Soby's closest friends, are strewn with strange shapes, which led Tanguy to call one painting The Furniture of Time. The collection has a dung-colored landscape by Jean Dubuffet ("the strongest painter in postwar France"), a couple of childlike fantasies by Paul Klee...

Author: /time Magazine | Title: Art: The Affectionate Critic | 2/10/1961 | See Source »

Last week it was the old masters who stole the show-Yves Tanguy with his unearthly landscapes, Francis Picabia with a grotesque pair of spiky-chinned lovers, the German Richard Oelze with buildings and people that look as if they had been submerged in water for years. There were wooden moons and seas by Max Ernst, a geometric Anthony and Cleopatra by Philadelphia-born Man Ray, a couple of dreamy street scenes by Italy's Giorgio de Chirico. Among the younger artists, none were equal in quality, and some seemed to be more action painters than surreal. Robert Rauschenberg...

Author: /time Magazine | Title: Art: Surrealistic Sanity | 12/12/1960 | See Source »

...school's founder Tanguy found a substitute for the loving father he had never known: Father Pardo "was not a saint in the strict sense. But he was a real man, which is almost as rare...

Author: /time Magazine | Title: Books: Cry, Children, Cry | 10/20/1958 | See Source »

What Now? At 19 Tanguy still cherished the image of a kind of prodigal son's return. But when he finally found his father in Paris, the boy was coldly rebuffed. Tanguy's mother, who also turned up in Paris, had equally little use for him. She was still a left-winger, lost in the intellectual Minotaur's cave of the '30s. At novel's end, with a wistful touch of Chaplinesque pathos, the 25-year-old Del Castillo, currently living in Paris, asks, "What is to become of Tanguy now?" and offers the shadow...

Author: /time Magazine | Title: Books: Cry, Children, Cry | 10/20/1958 | See Source »

...artlessness with which Author del Castillo achieves a child's angle of vision makes his boy-hero Tanguy one of the most endearing and poignant figures in recent fiction. Child of Our Time is both a grim and a grand commentary on the human condition. The first response to this book is elemental-to weep. The second response is to marvel that Michel del Castillo endured what he did, and that, having endured, he could still forgive so much that is eternally unforgivable...

Author: /time Magazine | Title: Books: Cry, Children, Cry | 10/20/1958 | See Source »

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