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...Octobers, dashing from concert hall to concert hall around Beijing, joining the capacity crowds jamming into decidedly Chinese venues to hear some decidedly un-Chinese music: Puccini in the Forbidden City; Dido & Aeneas at the Beijing Concert Hall; Handl's Messiah at the Wang Fu Jing Church; Wagner's Tannhäuser at the downtown Poly Theater. People who order their tickets in advance get in; the rest get introduced to another Western tradition - scalpers, who buy in bulk and sell out fast. It's been that way every year since Long first launched the annual Beijing Music Festival...

Author: /time Magazine | Title: Bernstein in Beijing: China's Classical Music Explosion | 11/6/2008 | See Source »

...Ponnelle's request to adjust his rehearsal schedule next season. "Once we counted 40,000 castings arranged over a five-year period," says Levine. "It is a jigsaw puzzle beyond belief." He signs letters and heads into the auditorium for an 11 a.m. rehearsal of Wagner's Tannhäuser...

Author: /time Magazine | Title: Music: Tempo: Allegro con Brio | 1/17/1983 | See Source »

...Back in the pit, Levine continues with Tannhäuser, periodically dashing into the house to check the lighting levels on the television monitor. The performance will be broadcast, and Levine knows that what he watches from the pit is not necessarily what audiences at home will see. By 1:25 p.m. he is once again back at his desk, eating the rest of his lunch (a salad) and looking over a list of apprentice singers to be approved and the provisional plan for the Met's 1986-87 season. He sets a time to meet with Artist David...

Author: /time Magazine | Title: Music: Tempo: Allegro con Brio | 1/17/1983 | See Source »

...debut with the Hamburg Opera in 1910, four years later with the Vienna Opera, where she created several roles for her friend Richard Strauss, and in 1934 with the Metropolitan. Notable among her 100 roles were her yielding Sieglinde in Die Walküre, her devout Elisabeth in Tannhäuser and, most outstanding of all, her matchless Marschallin in Der Rosenkavalier. At 62, she reduced a Town Hall audience to tears when she announced her retirement, quoting the Marschallin, who looked at her aging face in the mirror and said: "It is time." In her later years in California...

Author: /time Magazine | Title: Milestones, Sep. 6, 1976 | 9/6/1976 | See Source »

Temperamental. Still fame eluded him. All told, Melchior sang in Europe for 20 years before he got his big break: a matinee performance of Tannhäuser at the Met in 1926. Most of the critics' reviews-and raves-went to U.S.-born Soprano Marion Talley, who made her debut in the evening. "She lasted five years," according to the Met's Robinson. Melchior's day finally came in 1929 during his first performance in Tristan at the Met. After that Melchior reigned as opera's supreme heldentenor...

Author: /time Magazine | Title: Music: The Magnificent Giant | 4/2/1973 | See Source »

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