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Michael K. Tan '01 diplomatically suggested that it was not necessary for his father to come to campus because he was already staying in such a nice hotel in Boston...

Author: By Rebecca F. Lubens, CRIMSON STAFF WRITER | Title: TALES FROM FIRST-YEAR PARENTS WEEKEND | 11/7/1997 | See Source »

...Angeles, after 14 years, the Leviathan surfaces at last: Moby Museum, a.k.a. the Getty Center, sheathed in light tan aluminum and elegantly rugged honey-colored Italian travertine, nearly 1 million sq. ft. of it at roughly $1,000 per sq. ft., designed by Richard Meier and perched on a 710-acre hilltop above the San Diego Freeway in the Brentwood section of Los Angeles. The Getty is the most expensive arts complex and by some calculations the most expensive building in American history. Large expectations ride on it as both a cultural institution and an emblematic focus for Los Angeles...

Author: /time Magazine | Title: ARCHITECTURE: Getty Center and Guggenheim Museum in Bilbao: | 11/3/1997 | See Source »

...list of conditions met to get the permit to break ground eventually ran to 107 items. Some were major design considerations. The neighbors didn't want Meier's signature white surfaces glaring at them in the Pacific sun, and the metal cladding panels were accordingly colored a pale tan. They insisted on, and got, strict limits to the height of the buildings. And they hated the idea of culture-curious hoi polloi, 1.3 million of them expected each year, looking down into their backyards. One woman feared that visitors to the Getty would look across the valley from a spur...

Author: /time Magazine | Title: ARCHITECTURE: Getty Center and Guggenheim Museum in Bilbao: | 11/3/1997 | See Source »

SOUTHEAST YARD (63.2%)1. Steve Chung '012. Sterling Darling '013. Neil Sinhababu '014. Todd Plants '015. Dan Hughes '016. Michael Tan...

Author: By Caitlin E. Anderson and Barbara E. Martinez, CRIMSON STAFF WRITERSS | Title: More Minorities Elected to New Student Council | 9/29/1997 | See Source »

Some called her the black Marilyn. Dorothy Dandridge was light-skinned--or, as she would say, in mock haughtiness, "tan. Teasing tan, darling!" In old Hollywood, black was the color not of a skin tone but of a stop sign for gifted actors. So Dandridge's impact as a fiery siren in the 1954 Carmen Jones--she earned the first Oscar nomination for an African American in a leading role--allowed her and all blacks to hope Hollywood might finally find a place of honor for people of color. But like Marilyn, Dandridge doubted her talent, had bad luck with...

Author: /time Magazine | Title: LADY SCREENS THE BLUES | 9/1/1997 | See Source »

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