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Christopher Lee, former president of production at Columbia Pictures, remembers a comment an executive made to him, objecting to the film version of Amy Tan's The Joy Luck Club: "There are no Americans in it." Lee replied, "There are Americans in it. They just don't look like...

Author: /time Magazine | Title: Profiles In Outrage | 9/25/2000 | See Source »

...lips and eyelids swelled up like little balloons in a violent allergic reaction to some still unnamed flower), I viewed the first day of school as something of a gift. Here I was, heading back to the trenches, with a new haircut (generally middling to bad), a faint tan (left over from summer camp) and a great pair of corduroys (it is just me, or was fall much less humid back in the ?70s?). I would head off to the bus stop with my neighbors, or start the one-mile trek to my high school with an unmistakable spring...

Author: /time Magazine | Title: Back to School: The Thrill Is Gone | 9/6/2000 | See Source »

...typical Australian" is not, as foreigners once thought, a bushman. He is a slightly worried guy with a tan, a bald spot, a mortgage, a mower and two kids, whose Australian dream is a double-front brick bungalow on a quarter-acre lot in the suburbs less than 30 minutes' drive from the nearest beach, with two other nice, two-kid, one-PC families on either side...

Author: /time Magazine | Title: The Real Australia | 9/1/2000 | See Source »

...first, it was wonderful. We met Rae's foster mother, who swooped in and rushed for Rae as if she were her long-lost daughter, which she almost was. She bear-hugged her. She stroked her hair. She touched every little nick and scar on her tan arms and legs. "What's this from?" she asked in Korean. She had fostered 31 babies, but it was as if she'd known only Rae. Rae was half grossed out, half purring. Somebody had just rushed in with the missing four months of her life. The foster mother wept. We wept...

Author: /time Magazine | Title: Seoul Searching | 8/28/2000 | See Source »

...Fitzgerald's jeremiad as a compliment: there are no second acts because we prolong the first act forever; we work and play hard to extend adolescence for another 40, 50 years. It's hard work, consuming all that wheat germ and Viagra, but it's worth it to stay tan, teen and terrific. Besides, the alternative is so nonattractive. To be old in America is almost as uncool as being poor...

Author: /time Magazine | Title: Cinema: Clint Does It the Old Way | 8/14/2000 | See Source »

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